Music analysis by computer:ontology and epistemology [PDF]
This chapter examines questions of what is to be analysed in computational music analysis, what is to be produced, and how one can have confidence in the results.
Marsden, Alan
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Sins of the Father: Schenker, Schenkerism and Ewell's On Music Theory
Music Analysis, Volume 43, Issue 1, Page 136-174, March 2024.
Bryan J. Parkhurst
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Musical Ambiguity and Musical Analysis [PDF]
What do we analyze when we analyze a piece of music? Arguing from the point of view of Wittgenstein’s later philosophy (Philosophical Investigations, etc.), and using a somewhat similar method and some of the same concepts (e.g., “playing a game”), this ...
Arthur Maisel
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On Metaphor, Technology, and Schenkerian Analysis
Multimedia renderings for the World-Wide Web are offered as models which extend the technology commonly employed in expressing Schenkerian analysis. The study begins with a new appraisal of the role of metaphor, establishing that the qualities of imitation and participation which are embodied in the communication of metaphor are central to a ...
openaire +1 more source
A Musical Lens on Spatial Representations of Form to Support Designers and Teachers Using Hybrid Learning Spaces. [PDF]
Wilson S.
europepmc +1 more source
Song and dance: a memetic angle on the evolution of musicality and music via case studies of a musemeplex in Saint-Saëns and ABBA. [PDF]
Jan S.
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Music as brand, with reference to the film music of John Towner Williams (with particular emphasis on Williams's 'Main Title' for Star Wars) [PDF]
In contemporary consumer culture, branding is the term given to the creation of an image or text (visual, aural, textural or multi-sensory) intended to represent a commodity or product sold by a producer or service provider.
Bezuidenhout, Franscois Johannes Thomas
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Albéniz, Malats, Iberia and the ultimate "españolismo" [PDF]
Iberia, a collection of twelve piano pieces arranged in four books of three pieces each, is by far Isaac Albéniz’s most famous composition. Responding to a letter from Albéniz to the pianist Joaquín Malats, in which the composer confessed that with the ...
Martín Entrialgo, Alberto
core
Influence of surface features on the perception of nonadjacent musical phrases. [PDF]
Spyra J, Woolhouse M.
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The Western reception of Sergei Taneyev [PDF]
Sergei Taneyev is not a common name in Western musicology. Short studies of his theoretical writings include Allen Forte’s critical review of New Grove (1982), Ellon Carpenter’s survey in Russian Theoretical Thought in Music (1983), and Catherine Nolan’s
Desbruslais, Simon
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