Results 31 to 40 of about 26,083,421 (128)

Adorno on Schenker: Reconstructing the Formation of a Critique

Music Analysis, Volume 39, Issue 2, Page 240-265, July 2020., 2020
ABSTRACT Since the publication in 1982 of Theodor Adorno's late lecture ‘On the Problem of Musical Analysis’, it has been well established that Adorno had an ambivalent attitude towards Heinrich Schenker's analytical method, to the extent that the two men are usually thought of as antagonists while sharing the same concern for a work‐immanent ...
SEBASTIAN WEDLER
wiley   +1 more source

Systemic Modeling of Camargo Guarnieri’s Ponteio n. 8

Opus, 2018
Divided in three parts, this article demonstrates the process of Systemic Modeling of Ponteio n. 8 by Camargo Guarnieri as the basis for the composition of a work for solo violin by Marcel Castro-Lima entitled Prelude.
Liduino Pitombeira, Marcel Castro Lima
doaj   +1 more source

A Framework For Automated Schenkerian Analysis.

, 2008
[TODO] Add abstract here.
Phillip B. Kirlin, Paul E. Utgoff
openaire   +2 more sources

A Guide to Schenkerian Analysis, File 4: Original (1992) Publication, Chapter 9 [PDF]

, 2023
This continuation of the Guide to Schenkerian Analysis series include all the original publication’s Chapter 9, “Analysis of Music before Bach and after Brahms ...
Neumeyer, David
core   +1 more source

Guide to Schenkerian Analysis [PDF]

, 2018
This essay is an introduction to Schenkerian analysis, one model for linear analysis/interpretation of music. This condensed version of an out-of-print manual, co-authored with Susan Tepping, provides the basis of an efficient learning experience and ...
Neumeyer, David
core   +1 more source

Symphonic Gift: Wagner's Siegfried Idyll and the Hermeneutics of Sonata Form

Music Analysis, Volume 45, Issue 3, Page 502-538, October 2026.
ABSTRACT This article reimagines the place of programmatic interpretation within the New Formenlehre through the case study of Richard Wagner's Siegfried Idyll. To theorise the interaction between form and programme, I reconcile ‘separation’ and ‘conflation’ views – as represented by Julian Horton (2020) and Lawrence Kramer (2004a) – by deploying ...
RAFAEL ECHEVARRIA
wiley   +1 more source

Cognitive Theories of Galant Music at the Margins of Experience

Music Analysis, Volume 44, Issue 3, Page 293-339, October 2025.
ABSTRACT Leading cognitive studies of galant music treat schematism as both a device and an ethos. The devices – whether called pre‐fabs, tiles or schemata – undergird a mechanistic and passive ethos of inventiveness. In vision and practice, this constellation of approaches directs inquiry away from a musical depth that one contemplates and towards a ...
Edmund J. Goehring
wiley   +1 more source

A Sweeter Music: Two Essays and a Colloquy on an Elgar Part‐Song

Music Analysis, Volume 44, Issue 2, Page 246-289, July 2025.
ABSTRACT Edward Elgar's 1907 part‐song ‘There Is Sweet Music’ (Op. 53 No. 1) is at once a ‘minor’ piece and a highly significant one that richly rewards investigation. It is notable as an early instance of bitonality, being notated simultaneously in two keys – the male choir in G major and the female choir in A♭. Yet despite the apparent discordance of
Patrick McCreless, Benedict Taylor
wiley   +1 more source

Schenker against the Pack: Controversial Hypermetres in Bach's Prelude No. 1 in C major, The Well‐Tempered Clavier Book I

Music Analysis, Volume 44, Issue 1, Page 3-43, March 2025.
ABSTRACT Is musical analysis meant to guide performance – or to be based on it? Can a Schenkerian analysis of a piece be corroborated by a performance or an arrangement? This article addresses these questions through a well‐known test case – the first prelude of the first book of Bach's Well‐Tempered Clavier, as analysed by Heinrich Schenker in Five ...
NAPHTALI WAGNER, RAM REUVEN
wiley   +1 more source

Corpus Studies and ‘Close Listening’

Music Analysis, Volume 43, Issue 2, Page 191-246, July 2024.
ABSTRACT This article provides a detailed response to Markus Neuwirth and Martin Rohrmeier's article ‘Wie wissenschaftlich muss Musiktheorie sein?’, published in the Zeitschrift der Gesellschaft für Musiktheorie in 2016. I undertake to nuance their call for the wholesale adoption of machine‐assisted corpus‐based methods in music theory through a ...
NATHAN JOHN MARTIN
wiley   +1 more source