Results 71 to 80 of about 2,697 (135)
Musical Ambiguity and Musical Analysis [PDF]
What do we analyze when we analyze a piece of music? Arguing from the point of view of Wittgenstein’s later philosophy (Philosophical Investigations, etc.), and using a somewhat similar method and some of the same concepts (e.g., “playing a game”), this ...
Arthur Maisel
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A Data Set For Computational Studies Of Schenkerian Analysis.
[TODO] Add abstract here.
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Constraint-Based Sound-Motion Objects in Music Performance. [PDF]
Godøy RI.
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Retentional Syntagmatic Network, and its Use in Motivic Analysis of Maqam Improvisation [PDF]
In this paper is defined a concept of Retentional Syntagmatic Network (RSN), which models the connectivity between temporally closed notes. The RSN formalizes the Schenkerian notion of pitch prolongation as a concept of syntagmatic retention, whose ...
Lartillot, Olivier
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Wittgenstein, Modern Music, and the Myth of Progress [PDF]
Georg Henrik von Wright was not only the first interpreter of Wittgenstein, who argued that Spengler’s work had reinforced and helped Wittgenstein to articulate his view of life, but also the first to consider seriously that Wittgenstein’s attitude to ...
Guter, Eran
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A surrogate for the soul: Wittgenstein and Schoenberg [PDF]
This article challenges a widespread assumption, arguing that Wittgenstein and the Austrian composer Arnold Schoenberg had little in common beyond their shared cultural heritage, overlapping social circles in fin-de-ciecle Vienna.
Guter, Eran
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Despite Schenkerian analysis's widespread use in music theory education in many countries, this analytical approach has not been comprehensively introduced or widely applied in Japan. This study explores the application of Schenkerian analysis to deepen the understanding of musical structure among non-music major students in Japan. Utilizing foreground
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Computational Creativity and Music Generation Systems: An Introduction to the State of the Art. [PDF]
Carnovalini F, Rodà A.
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Musical Thought And Compositionality [PDF]
Many philosophers and music theorists have claimed that music is a language, though whether this is meant metaphorically or literally is often unclear.
Bartel, Christopher
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Schenkerian Analysis. Symposium und Workshops. Universität der Künste Berlin, 4. Juni 2004; Gutshof Sauen, 5.–7. Juni 2004; Hochschule für Musik und darstellende Kunst Mannheim, 11.–12. Juni 2004 [PDF]
Stefan Rohringer
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