Results 71 to 80 of about 2,697 (135)

Musical Ambiguity and Musical Analysis [PDF]

open access: yes, 2018
What do we analyze when we analyze a piece of music? Arguing from the point of view of Wittgenstein’s later philosophy (Philosophical Investigations, etc.), and using a somewhat similar method and some of the same concepts (e.g., “playing a game”), this ...
Arthur Maisel
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Retentional Syntagmatic Network, and its Use in Motivic Analysis of Maqam Improvisation [PDF]

open access: yes, 2012
In this paper is defined a concept of Retentional Syntagmatic Network (RSN), which models the connectivity between temporally closed notes. The RSN formalizes the Schenkerian notion of pitch prolongation as a concept of syntagmatic retention, whose ...
Lartillot, Olivier
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Wittgenstein, Modern Music, and the Myth of Progress [PDF]

open access: yes, 2017
Georg Henrik von Wright was not only the first interpreter of Wittgenstein, who argued that Spengler’s work had reinforced and helped Wittgenstein to articulate his view of life, but also the first to consider seriously that Wittgenstein’s attitude to ...
Guter, Eran
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A surrogate for the soul: Wittgenstein and Schoenberg [PDF]

open access: yes, 2011
This article challenges a widespread assumption, arguing that Wittgenstein and the Austrian composer Arnold Schoenberg had little in common beyond their shared cultural heritage, overlapping social circles in fin-de-ciecle Vienna.
Guter, Eran
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Exploring the Pedagogical Potential of Schenkerian Analysis in Japan: A Case Study on Teaching with Schenkerian Graphs

open access: yesAsian Research Journal of Arts & Social Sciences
Despite Schenkerian analysis's widespread use in music theory education in many countries, this analytical approach has not been comprehensively introduced or widely applied in Japan. This study explores the application of Schenkerian analysis to deepen the understanding of musical structure among non-music major students in Japan. Utilizing foreground
openaire   +2 more sources

Musical Thought And Compositionality [PDF]

open access: yes, 2006
Many philosophers and music theorists have claimed that music is a language, though whether this is meant metaphorically or literally is often unclear.
Bartel, Christopher
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