Results 91 to 100 of about 1,340 (121)
Screendance Cannot be Everything: Defining the Form Ten Years after the (Hu)manifesto [PDF]
, 2016 No abstract ...
Pottratz, Wyn
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Screendance festivals / Los festivales de videodanza
, 2018 A través de esta colección se pretende comunicar los últimos análisis desarrollados en el estudio de la videodanza, incluyendo todas las manifestaciones de film de danza. En cada número de la colección se presenta un estudio sobre un tema concreto que podrá estar basado en aproximaciones históricas a la videodanza, análisis de géneros, subgéneros y ...
Payri, Blas +1 more
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“Looking Back”: A Conversation with Katrina McPherson [PDF]
, 2014 No abstract ...
McPherson, Katrina, Rosenberg, Douglas
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O corpo híbrido em Screendance
Dissertação (mestrado)—Universidade de Brasília, Instituto de Artes, Programa de Pós-Graduação em Artes, 2017. ; Esta pesquisa aborda o corpo híbrido na obra em screendance, reconhecendo neste corpo o cruzamento de elementos humanos e computacionais digitais.
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Proceedings of the international screendance meeting
, 2016 The International Screendance Meeting, Valencia 2016, is intended as a forum for exchanging academic ideas and analyses of the creative processes around screendance, videodance or choreocinema. The proceedings cover different topics focusing on the pas-de-deux dance of the camera with the body, the definition and use of the filmic space, and the ...
Payri Lambert, Blas Gastón +1 more
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Documentary screendance-making as a practice of kindness
, 2021 In this essay I reflect on the mobilization of feelings of kindness as activated in the making of the documentary screendance El Cuerpo Partido (The Broken Body). The film integrates the narratives of five Nicaraguan refugees with my experience as dance facilitator working with displaced communities in Costa Rica.
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Screendance Symposium 2011\ud \ud \ud
Invited to screen works from the 'Unfairground Ride' series of dancefilms. The event was curated by Liz Aggiss. The symposium is an open event - a gathering of artists, curators, researchers and students. Speakers included Catherine Wood, Curator Contemporary Performance at Tate Modern and choreographer Siobhan Davies. This is an international research
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‘Killing romance’ by ‘giving birth to love’: Hélène Cixous, Jane Campion and the language of In the Cut (2003) [PDF]
, 2019 Alexia Bowler
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