Results 21 to 30 of about 18,560 (224)

Fidelity, Adaptation, and Meta-commentary: The Case of Susan Orlean’s The Orchid Thief and Spike Jonze’s Adaptation

Anafora, 2017
Susan Orlean’s The Orchid Thief has raised and defied questions about genre since its appearance in 1998. Though “research” and “facts” are at the foreground of the book, critics have described it by such terms as literary non-fiction, faction, personal ...
Victoria de Zwaan
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“The Important Thing is the Fusion”: Giuseppe Marotta and Film Criticism

Cinergie, 2023
Novelist, screenwriter, dramaturgist, lyricist and journalist, from the late Twenties, Giuseppe Marotta also worked as a film critic for many magazines.
Mattia Cinquegrani
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The dream of a carnival night. The grotesque miracles of Valle-Inclán and Fellini

Finzioni, 2022
In 1948, a young screenwriter named Federico Fellini wrote the main argument on which Rossellini based his medium-length film Il Miracolo. After the screening, an accusation of plagiarism was brought upon the film.
Manuela Partearroyo
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Eroticism and Justice: Harold Pinter’s Screenplay of Ian McEwan’s The Comfort of Strangers [PDF]

, 2013
The article centres upon Pinter’s creative adaptation of McEwan’s deeply allusive and disquieting text probing, amongst others, the intricacies and tensions of gender relations and sexual intimacy.
Mirowska, Paulina
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The adventure screenplay in William Goldman: the playful and the ironic in "Butch Cassidy and the Sundance Kid" and "The Princess Bride"

Communication & Society (Formerly Comunicación y Sociedad), 2014
William Goldman is a North American novelist and screenwriter with more than fifty years in his professional career. This article aims to identify Goldman’s personal writing traits by focusing on Butch Cassidy and the Sundance Kid and The Princess Bride,
Marta Frago, Eva Alfonso
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Yallah Bye ou le rêve d’un adieu à la guerre

Il Tolomeo, 2021
Yallah Bye, an album published by Lombard (2015), illustrates two wars marking the contemporary history of Lebanon: the civil war (1975-1990) and the war between Israel and Hezbollah (August 2006). There is an intersection between two visions: that of
Badr, Maha
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Reality as a feeling – a feeling as reality. On the film by Joseph Cedar, Footnote [PDF]

, 2019
Hendrykowski Marek, Reality as a feeling – a feeling as reality. On the film by Joseph Cedar, Footnote. “Images” vol. XXV, no. 34. Poznań 2019. Adam Mickiewicz University Press. Pp. 57–xx. ISSN 1731-450X. DOI 10.14746/i.2019.34.04.
Hendrykowski, Marek
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Les mini-séries françaises : réflexions sur l'écriture d'un format hybride

Cahiers de Narratologie
This article explores the writing of French mini-series through the creative, economic and industrial challenges they pose. Drawing on testimonies from industry professionals and recent data, it highlights the specific features of this hybrid format ...
Charlotte Servel
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Techniques de programmation d’un format télévisuel

Communication, 2014
The author examines a particular program format, the docusoap, and its place within the practices of television programming. She highlights the relationships between the networks’ practices of programming tv series and the content of their websites.
Céline Ferjoux
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From Soviet Hairstyles to Contemporary Gender Politics

Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, 2022
This article is a transcript of a two-hour interview with Jekaterina Oertel, who worked on the DAU project from 2008 to 2018 in a range of key roles, including as the head of make-up and hair design; a participant, or actor; a co-screenwriter; and the ...
Rachel Morley
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