Results 21 to 30 of about 367 (180)
Anafora, 2017 Susan Orlean’s The Orchid Thief has raised and defied questions about genre since its appearance in 1998. Though “research” and “facts” are at the foreground of the book, critics have described it by such terms as literary non-fiction, faction, personal ...
Victoria de Zwaan
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“The Important Thing is the Fusion”: Giuseppe Marotta and Film Criticism
Cinergie, 2023 Novelist, screenwriter, dramaturgist, lyricist and journalist, from the late Twenties, Giuseppe Marotta also worked as a film critic for many magazines.
Mattia Cinquegrani
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The dream of a carnival night. The grotesque miracles of Valle-Inclán and Fellini
Finzioni, 2022 In 1948, a young screenwriter named Federico Fellini wrote the main argument on which Rossellini based his medium-length film Il Miracolo. After the screening, an accusation of plagiarism was brought upon the film.
Manuela Partearroyo
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Les mini-séries françaises : réflexions sur l'écriture d'un format hybride
Cahiers de NarratologieThis article explores the writing of French mini-series through the creative, economic and industrial challenges they pose. Drawing on testimonies from industry professionals and recent data, it highlights the specific features of this hybrid format ...
Charlotte Servel
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Communication & Society (Formerly Comunicación y Sociedad), 2014 William Goldman is a North American novelist and screenwriter with more than fifty years in his professional career. This article aims to identify Goldman’s personal writing traits by focusing on Butch Cassidy and the Sundance Kid and The Princess Bride,
Marta Frago, Eva Alfonso
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Yallah Bye ou le rêve d’un adieu à la guerre
Il Tolomeo, 2021 Yallah Bye, an album published by Lombard (2015), illustrates two wars marking the contemporary history of Lebanon: the civil war (1975-1990) and the war between Israel and Hezbollah (August 2006). There is an intersection between two visions: that of
Badr, Maha
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Techniques de programmation d’un format télévisuel
Communication, 2014 The author examines a particular program format, the docusoap, and its place within the practices of television programming. She highlights the relationships between the networks’ practices of programming tv series and the content of their websites.
Céline Ferjoux
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Creating Change: Art Activism and Leadership Development
New Directions for Student Leadership, Volume 2025, Issue 185, Page 61-65, Spring 2025.ABSTRACT This article advocates the inclusion of the arts, and specifically, art activism, as a beneficial pedagogical approach to leadership development. Focus is given to using examples of art activism to introduce the student leader activist identity continuum (SLAIC), the exploration of leadership identity, and situating activism as transformative ...
Jessica A. Cruz +2 more
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Éditer et lire Borges en France (1939-1970). Pour une poétique de la réception
ILCEA, 2015 Michel Lafon decided in 2011 to run for the IUF even so when his activity as a writer and screenwriter had taken an important place in his life, to extend and reinvent his tireless dedication to Jorge Luis Borges.We reproduce here the project, which ...
Michel Lafon
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Subverting the chronotope: the Donnie Darko (2001) case
Fórum Linguístico, 2020 This paper analyzes the film Donnie Darko (2001) by director and screenwriter Richard Kelly through the theoretical perspective of Mikhail Bakhtin’s (1981) chronotope.
Marcia Tiemy Morita Kawamoto
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