Results 31 to 40 of about 367 (180)
From Soviet Hairstyles to Contemporary Gender Politics
Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, 2022 This article is a transcript of a two-hour interview with Jekaterina Oertel, who worked on the DAU project from 2008 to 2018 in a range of key roles, including as the head of make-up and hair design; a participant, or actor; a co-screenwriter; and the ...
Rachel Morley
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Journal of Economics &Management Strategy, EarlyView.ABSTRACT In hit‐driven industries, product development is associated with a right‐skewed unconditional distribution of performance, and products in the right tail have outsized impacts. Understanding how exceptional performance is generated can improve resource allocation, but the literature advances two different narratives: one emphasizes postrelease
Darren Filson
wiley +1 more source
Periods, Pains, Pills, and Performance—Fighting Blood, Bodies and Biology
Sociological Forum, EarlyView.ABSTRACT This paper draws on various data from long‐term immersion in combat sports to explore the period experiences of cis women fighters. We blend theoretical ideas from the social scientific literature on menstruation and the sociology of medicalization, pain and injury.
Reem AlHashmi +2 more
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Reading Research Quarterly, Volume 61, Issue 3, July/August/September 2026.ABSTRACT This article examines what becomes possible for interpretive literacy research when time is treated not as a neutral backdrop but as a central problematic. We argue that research does not merely trace temporal sequences; it actively creates temporalities that shape what becomes sensible, thinkable, and sayable within literacy studies.
Gail Boldt, Kevin Leander
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Journal of Product Innovation Management, Volume 43, Issue 4, Page 575-591, July 2026.ABSTRACT Academic Summary In the realm of innovation studies, examining innovation responses—encompassing both adoption and resistance—has been a central focus for more than six decades. However, most innovation studies only focus on the behavioral dimension of these responses and simply equate resistance with non‐adoption.
Juliëtte van Acker +4 more
wiley +1 more source
Screenwriting is Rewriting: The Art and Craft of Professional Revision, by Jack Epps, Jr.
Alphaville: Journal of Film and Screen Media, 2017 Besides being a famous screenwriter for Hollywood films such as Top Gun (Tony Scott, 1986)and Dick Tracy (Warren Beatty, 1990), Jack Epps, Jr. is also an Associate Professor and the Chair of University of Southern California’s Writing for Screen and ...
Göksu Akkan
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Gregorini v. Shyamalan: Can Access Trump Similarity in a Globalised Digital Age?
The Journal of World Intellectual Property, Volume 29, Issue 2, Page 293-300, July 2026.Abstract On the 20th February 2025, the final judgement of Gregorini v. Shyamalan rejected director Gregorini's claims that the show ‘Servant’ produced by Apple TV+ copied her independent film ‘The Truth About Emanuel’. Infringement can be established by proving substantial similarity and access to the work.
Anna Monnereau
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The Russian Review, Volume 85, Issue 3, Page 348-362, July 2026.Abstract This article brings together theories of history and filmic realism to analyze the representation of the provinces in Nataliia Meshchaninova’s The Hope Factory (Kombinat “Nadezhda,” 2014) and Andrei Zviagintsev’s Leviathan (Leviafan, 2014). It argues that these two films share a typically realist attitude of respect toward the profilmic in ...
Daria Ezerova
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Cabra-cega: from script to screen
Revista de Estudios Brasileños, 2018 According to the Brazilian awarded screenwriter Di Moretti, poetry is essential in the art of writing cinema scripts. The best script is the one that cultivates human sensibility and takes it as its priority. This is the reason why it is called ‘literary
Solange Salete TOCCOLINI ZORZO
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American Anthropologist, Volume 128, Issue 2, Page 259-271, June 2026.ABSTRACT This article follows producers of Kai Language Heroes, the first Indigenous language game show in the world, as they adapted the genre for language revitalization. Kai Language Heroes is one of many original programs at Taiwan Indigenous Television (TITV), a public broadcaster that serves Taiwan's diverse Austronesian‐speaking peoples. I argue
Eliana Ritts
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