Results 51 to 60 of about 18,560 (224)
British Latinx Authors in Conversation: Writing Ourselves Visible
Bulletin of Latin American Research, Volume 45, Issue 1, January 2026.Abstract This interview continued a conversation initiated at the panel ‘British Latin American Literature: Writing Ourselves Visible’, held at the 2024 Literary Leicester Festival (University of Leicester, UK), organised and chaired by Dr Emma Staniland (ES), at which Argentine‐British poet Leo Boix (LB), Peruvian‐British author of novels and short ...
Emma Staniland
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Steven H. Gale, Sharp Cut: Harold Pinter's Screenplays and the Artistic Process. Lexington: University Press of Kentucky, 2003 [PDF]
, 2007 reviewZadanie pt. „Digitalizacja i udostępnienie w Cyfrowym Repozytorium Uniwersytetu Łódzkiego kolekcji czasopism naukowych wydawanych przez Uniwersytet Łódzki” nr 885/P-DUN/2014 dofinansowane zostało ze środków MNiSW w ramach działalności ...
Krzywańska-Frankowska, Emilia
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Singing Off the Road to Life: The Threat of Sonic Delinquency in the Early Soviet Union
The Russian Review, Volume 85, Issue 1, Page 7-22, January 2026.Abstract During the New Economic Policy, Bolshevik activists and the public alike shared a fixation on singing criminals and young delinquents. It saturated stories of criminality and moral or social reform, from newspapers to sociological literature and even one of the first Soviet sound films.
Elizabeth Abosch
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The Courtroom Sketch: Journalism and Justice in Literaturnaia gazeta
The Russian Review, Volume 85, Issue 1, Page 52-68, January 2026.Abstract In the decades following Stalin’s death, the newspaper Literaturnaia gazeta shaped Soviet legal culture through the genre of the courtroom sketch (sudebnyi ocherk), a blend of fact‐based reportage, personal memoir, literary narration, and social commentary aimed at the task of working through thorny questions of morality and legality.
Rebecca Reich
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Corpos que acontecem na fronteira
e-cadernos ces, 2014 Palestine is a symbol of exile. In a way, all Palestinians live in a state of literal or metaphorical exile. For this reason, it is impossible to analyze Palestinian women’s cinema without locating these women in their (non)place: exile.
Shahd Wadi
doaj +1 more source
Negative Statements Considered Useful
, 2020 Knowledge bases (KBs), pragmatic collections of knowledge about notable entities, are an important asset in applications such as search, question answering and dialogue.
Arnaout, H., Razniewski, S., Weikum, G.
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Automated Feedback for 'Fill in the Gap' Programming Exercises [PDF]
, 2005 Timely feedback is a vital component in the learning process. It is especially important for beginner students in Information Technology since many have not yet formed an effective internal model of a computer that they can use to construct viable ...
Bancroft, Peter, Roe, Paul, Truong, Dinh
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Sociology Compass, Volume 20, Issue 1, January 2026.ABSTRACT Multiracial Americans and Asian American populations are two of the fastest growing racial groups in the United States. Our article is the first to highlight three similarities that show how these groups are uniquely racially misunderstood: (a) both are subsumed under racial umbrella terms that obscure tremendous diversity, (b) both have been ...
Chandra D. L. Waring +2 more
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Complexity, Volume 2026, Issue 1, 2026.AI‐Cinema is a hybrid neural‐symbolic framework addressing the critical challenge of preserving cultural authenticity in Arabic movie scenario generation. The framework integrates transformer‐based neural language models (AraT5‐base and AraGPT2‐medium) with symbolic reasoning encoded in OWL‐DL ontologies and SWRL rules to ensure linguistic fluency ...
Mossab Ibrahim +3 more
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Rhetorics of Rage: How Women Directors Are Shifting Revenge Narratives in the Horror Genre
The Journal of Popular Culture, Volume 58, Issue 6, Page 308-316, December 2025.ABSTRACT While ranks of women behind the camera have grown in the horror industry, common misconceptions that women simply “don't do horror” persist. However, the last decade has seen a radical shift in the genre, and women directors are expanding the genre to unsettle audiences in innovative ways.
Olivia Zolciak
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