Results 51 to 60 of about 367 (180)
Rhetorics of Rage: How Women Directors Are Shifting Revenge Narratives in the Horror Genre
The Journal of Popular Culture, Volume 58, Issue 6, Page 308-316, December 2025.ABSTRACT While ranks of women behind the camera have grown in the horror industry, common misconceptions that women simply “don't do horror” persist. However, the last decade has seen a radical shift in the genre, and women directors are expanding the genre to unsettle audiences in innovative ways.
Olivia Zolciak
wiley +1 more source
Django Unchained and the Neo-Blaxploitation Western
Iperstoria, 2013 Django Unchained’s treatment of slavery and race issues has polarized audiences, especially African-American audiences.[1] While Harvard professor and public intellectual Henry Louis Gates Jr.
Johannes Fehrle
doaj +1 more source
Child &Family Social Work, Volume 30, Issue 4, Page 794-859, November 2025.ABSTRACT It is of paramount importance that children are equipped with the requisite digital parenting skills to protect them from the risks and threats that they may encounter in the digital environment while also enabling them to seize the opportunities that the digital realm presents.
Yıldız Özaydin Aydoğdu +5 more
wiley +1 more source
The Milbank Quarterly, Volume 103, Issue 3, Page 724-754, September 2025.Policy Points One form of power that is required for advancing health and racial equity is narrative power: the ability to shift the stories we use to make sense of the world. Building this form of power requires the field of public health to strategically work to connect institutions and organizations to align in complementary ways to create, build ...
LORI DORFMAN +4 more
wiley +1 more source
Lucía Puenzo, una narradora anfibia para la literatura y el cine
Cuadernos LIRICOLucía Puenzo, born in Buenos Aires (Argentina) in 1976, is both a filmmaker and a writer. She has published six novels, plus a book of short stories.
María José Punte
doaj +1 more source
Godard and Sound: Acoustic Innovation in the Late Films of Jean-Luc Godard by Albertine Fox
Alphaville: Journal of Film and Screen Media, 2019 Enfant terrible, celluloid deity,and self-construed “composer” of film, Jean-Luc Godard requires scant introduction in any undertaking that concerns the on-screen arts.
Caitríona Walsh
doaj +1 more source
Flirting with Controversy: Making Biopics about Truman Capote
Revue LISA, 2016 Based on a close study of the biopics devoted to writer Truman Capote, this article questions the expectations raised by films that feed on the voyeuristic desire to see into the personal lives of famous people beyond their public image.
Delphine Letort
doaj +1 more source
Rivista di Storia dell'Università di Torino, 2017 Storyteller, literary critic, University professor, translator, screenwriter, but first of all partisan and protagonist of one of the most significant episodes of Resistance in Piedmont, Mario Bonfantini (Novara, 1904 - Turin, 1978), thanks to his ...
Chiara Tavella
doaj +1 more source
Verisimilitude and Film Story: The Links between Screenwriter, Character and Spectator
Communication & Society (Formerly Comunicación y Sociedad), 2013 Verisimilitude is an essential quality to the perfection of fictions, from the tragedy competitions in Pericles's Athens to current Hollywood screenplays.
Antonio Sánchez-Escalonilla
doaj
Linguistic gender congruity differentially correlates with film and novel ratings by critics and audiences. [PDF]
PLoS One, 2022 Nalabandian T, Ireland ME.
europepmc +1 more source