The movies The Social Network (David Fincher, 2010) and Steve Jobs (Danny Boyle, 2015) are biographies of two outstanding figures in the digital revolution: the young multimillionaire Mark Zuckerberg, Facebook co-founder and CEO, and the famous co ...
Marta Frago
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L’Espoir. Agosto 1980. Un guion de Jorge Semprún para Andrzej Wajda
Andrzej Wajda planned to make a film about the Spanish Civil War based on the novel L’Espoir by André Malraux (1937) which Jorge Semprún was to adapt for him. The film was never made. The screenplay L’
Beata Baczyńska +1 more
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Hard times, leading women: the television works of Virginia Yagüe
The aim of this article is to consider the need to study the professional work of creative women in the audiovisual field beyond the hegemonic category of film direction, in order to place them adequately in Moving Image History.
Concepción Cascajosa Virino
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Poszukiwania i fascynacje Antoniego Bohdziewicza (1906-1970)
The quests and fascinations of Antoni Bohdziewicz (1906-1970) The author analyses in detail the structure of the leading role based on the film “I’m yours” His analysis takes into account acting skills, the relations between the protagonists and ...
MAŁGORZATA HENDRYKOWSKA
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Analyzing drama metadata through machine learning to gain insights into social information dissemination patterns. [PDF]
Lo CM, Syu ZS.
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Designing illustrative social media stories to promote adolescent peer support and healthy sexual behaviors. [PDF]
Chernick LS +8 more
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Making microbes matter: storytelling's potential to make antibiotic resistance real and relevant to the public. [PDF]
McCall B +3 more
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AI vs. Human in Screenwriting: Is AI the Future Screenwriter?
This research paper investigates the challenge of discerning between content generated by humans and AI language models across various screenwriting elements.
Kemal Çelik
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The (mis)use of ChatGPT in science and education: Turing, Djerassi, "athletics" & ethics. [PDF]
Shaw D, Morfeld P, Erren T.
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The article is thought to be a contribution to a study on the mentality of homo sovieticus on the edge of a crucial period – perestroika. The basic material for the author were letters written by the audience to a movie screenwriter, Maryia Khmielik, and
Maria Natalia Kistowska
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