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Las comedias del ciclo celestinesco Segunda comedia de Celestina y Comedia Selvagia [PDF]
, 2017 Keith Whinnom afirmaba en un artículo sobre el género celestinesco: «Aun en la tradición central —es decir en el ciclo—, se ve que ha pasado algo, lo celestinesco ya no es lo que era»; las continuaciones de La Celestina se parecen entre sí mucho más de ...
Baranda Leturio, Consolación
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Black Ethics: Skin Color and Courtly Love in Feliciano de Silva's Segunda Celestina
La Corónica, 2023Abstract: In the short skit that occupies Acts 2 and 6 of Feliciano de Silva's Segunda Celestina (1534), a black houseboy, most likely a slave, Zambrán, berates his fellow servant, Pandulfo, a notorious pimp, for not treating women with the prescribed modesty, thus endangering not only the reputation of young maidens, but also of their high-born ...
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Bulletin of the Comediantes, 2008
This essay examines female agency and deviance in two key scenes of La segunda Celestina as an act of monstrosity, a term that figures in this context as a transgression of gender codes. One of the three main female characters, Beatriz, is identified by her proclivity to hunt and her aversion to marry.
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This essay examines female agency and deviance in two key scenes of La segunda Celestina as an act of monstrosity, a term that figures in this context as a transgression of gender codes. One of the three main female characters, Beatriz, is identified by her proclivity to hunt and her aversion to marry.
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El encanto es la hermosura y el hechizo sin hechizo. La Segunda Celestina (review)
Bulletin of the Comediantes, 1996exaly +2 more sources
Una nueva edición de El encanto es la hermosura y El hechizo sin hechizo/La segunda Celestina
Bulletin of Hispanic Studies, 1997exaly +2 more sources