Results 51 to 60 of about 172 (98)

Ópera española: las obras de Felipe Pedrell

open access: yesCuadernos de Música Iberoamericana, 2018
La producción operística de Felipe Pedrell es una de las más interesantes, y a la vez desconocidas, del siglo XIX y principios del XX. La polémica que se tejió alrededor de su persona y de sus postulados estéticos ensombreció la autenticidad y la ...
Francesc Cortés
doaj  

Suspicious diseases of grumbling old women: Paltrana (Segunda Celestina), Alisa (La Celestina) and other comedy mothers oblivious of their duties

open access: yesCelestinesca, 2021
The article focuses on the character of Paltrana, the mother of Polandria in the Second Celestina by Feliciano de Silva, connecting this character with other comedy mothers who play a similar role. They are careless mothers or mothers who are oblivious to the seriousness of the events in which their daughters are taking part.
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La parodia de la carta de amores en la Segunda Celestina

open access: yesCelestinesca, 2021
Feliciano da Silva, in his Segunda Celestina takes up Rojas's burlesque treatment of love through the love letters exchanged by three couples belonging to widely different social extractions. Silva exposes the extravagant deformation suffered by this epistolary genre, that had brought about considerable success to Diego de San Pedro, and offers a comic
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Christian love in Fernando de Rojas' Tragicomedia and Feliciano de Silva's Segunda Celestina

open access: yesCelestinesca, 2021
The present work aims to explore the perception of love in the Christian context, with the attempt to recognize the implementation and changes in customs that are evident in two literary productions that have Celestina as the protagonist, the Tragicomedy of Calisto and Melibea by Fernando de Rojas and La Segunda Celestina written by Feliciano de Silva.
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«Cuanto va de la excellencia del alma a la del cuerpo»: Legibility of the body in Feliciano de Silva's Segunda Celestina

open access: yesCelestinesca, 2021
This article studies the body signs and their meaning in Rojas' Tragicomedia, in the Segunda Celestina by Feliciano de Silva and in other celestinesque works. This legibility of the human body can be explained by the fact that physiognomic lore was widely spread during the fifteenth- and sixteenth century.
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El teatral regreso de Celestina a Italia y las políticas culturales fascistas durante la Segunda Guerra Mundial (Celestina's theatrical return to Italy and fascist cultural policies during the Second World War)

open access: yes, 2021
The return of Celestina to Italian publishing houses during the Second World War has been examined in a series of recent research publications. These studies have not, unfortunately, described in a satisfactory manner the reasons underpinning this interest in a foreign piece; nor have they explained how it came to be one of the most regularly performed
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Resurrecting the Go-Between: A Study of the Revived Bawd’s Challenge to Blood Purity and Christian Doctrine in Feliciano de Silva’s Segunda comedia de la Celestina

open access: yesCelestinesca, 2021
This study argues that Feliciano de Silva’s Segunda comedia de la Celestina (1534) challenges officially mandated  religious homogeneity through the figure of the go-between. Each section of the article traces the strategies of resistance of the resurrected Celestina in dialogue with Silva's connections to the converso community.
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