Results 111 to 120 of about 457,849 (308)

Middlebrow Aesthetics: An Explanation and Defense

Pacific Philosophical Quarterly, EarlyView.
ABSTRACT We offer a philosophical account of the middlebrow as a theoretical category to do explanatory and critical work in aesthetics. On our account, the middlebrow ought to be understood as aspirational popular art. That is, it is art which aspires both to be popular (in a distinctive sense), and at the same time to be something more than popular ...
Aaron Meskin, Jonathan M. Weinberg
wiley   +1 more source

Performing the tempest: teacher notes [PDF]

, 2010
Part of the 'Active Shakespeare: Capturing evidence of learning' suite of resources. "What is it about providing active and engaging ways to integrate Shakespeare in the ongoing periodic assessment of pupils’ reading. What is it for?

core  

Introduction: the (im)material spectrum of manuscript and print interaction☆

Renaissance Studies, EarlyView.
Abstract This introductory essay to the special issue on Early Modern English Textual Cultures Between Manuscript and Print first outlines previous research into different kinds of interaction between manuscript and print. Examples of this interplay include, for instance, the transmission of text and images from one medium into another, the use of ...
Sara Norja, Mari‐Liisa Varila
wiley   +1 more source

Shakespeare in History, History through Shakespeare: Caliban by the Yellow Sands [PDF]

, 2007
Percy MacKaye’s community masque, Caliban by the Yellow Sands, was performed in front of thousands of spectators between May 24th and June 5th, 1916 at New York Lewisohn Stadium, as part of American celebrations of the three-hundredth anniversary of ...
Śmiałkowska, Monika
core  

‘Matters of Household Proffit’: Sixteenth‐Century Manuscript and Print Exchanges in Bodleian Library, Ashmole 1477☆

Renaissance Studies, EarlyView.
Abstract The household book is a particular feature of the landscape of manuscript production post‐1475, and is particularly associated with women. Compiling manuscript household books in a post‐print landscape involved a specific kind of dialogue between the two material forms.
Carrie Griffin
wiley   +1 more source

Henry IV, Part I (1982) [PDF]

, 1982
Playwright: William Shakespeare Director: Hal J. Todd Set Design: Frederic Youens Costumes: Eliza Chugg Academic Year: 1981-1982https://scholarworks.sjsu.edu/productions_1980s/1047/thumbnail ...
San Jose State University, Theatre Arts
core   +1 more source

Shakespeare's Politics

The Review of Politics, 2016
AbstractThis paper sets out diverse ways that Shakespeare's dramas can be read politically. Critics and political theorists have often concentrated on what Shakespeare said about politics—whether he was broadly republican or monarchist, protofeminist or a patriarchalist—as well as concentrating on his references to political themes of his day. Focusing
openaire   +2 more sources

Lawnmower Poetry and the Poetry of Lawnmowers

Critical Quarterly, EarlyView.
Francesca Gardner
wiley   +1 more source

Print Conventions and Authority in Three English Recipe Manuscripts

Renaissance Studies, EarlyView.
Abstract This article considers the uses of stylistic and visual conventions drawn from print books in three seventeenth‐ and eighteenth‐century recipe manuscripts at the University of Pennsylvania. We begin by analysing the title page, dedicatory epistle, catchwords, and headers of MS Codex 627, which imitates an edition of Hugh Plat's Delights for ...
Aylin Malcolm, Margaret C. Maurer
wiley   +1 more source

Somerset Maugham's Failings

Critical Quarterly, EarlyView.
Allan Hepburn
wiley   +1 more source