Results 71 to 80 of about 74,908 (238)
Middlebrow Aesthetics: An Explanation and Defense
ABSTRACT We offer a philosophical account of the middlebrow as a theoretical category to do explanatory and critical work in aesthetics. On our account, the middlebrow ought to be understood as aspirational popular art. That is, it is art which aspires both to be popular (in a distinctive sense), and at the same time to be something more than popular ...
Aaron Meskin, Jonathan M. Weinberg
wiley +1 more source
This article explores a theatre performance (National Theatre Pécs, 2003, dir. Iván Hargitai) working with a 1999 Hungarian translation of Hamlet by educator, scholar, translator and poet Ádám Nádasdy as a structural transformation (Fischer-Lichte 1992 ...
Márta Minier
doaj +1 more source
Abstract Objectives This study explored experiences of Relational Accommodation (RA) for caregivers and significant others living with an adult with Body Dysmorphic Disorder (BDD) and how they respond to BDD symptoms. BDD is under‐researched. In paediatric and/or obsessive‐compulsive populations, RA has been found to negatively impact the lives of ...
Deanna Fallah +3 more
wiley +1 more source
Indian Supplements to Shakespeare: The Hungry and We That Are Young
While there is no longer any debate about Shakespeare’s position as a global author, the rapidly expanding worldwide archive of the versioning of his works continues to pose a critical challenge. Questions like how far and to what extent can this be seen
Poonam Trivedi
doaj +1 more source
Chaucer's Jailer's Daughter [PDF]
textWe know that Shakespeare read Chaucer, but we do not know exactly how he read Chaucer. Established models of source studies require solid "proof," but this paper proposes a more liquid conception of influence that permeates a work in unexpected ways.
Snell, Megan Angela
core +1 more source
From Everyman to Hamlet: A Distant Reading
Abstract The sixteenth century sees English drama move from Everyman to Hamlet: from religious to secular subject matter and from personified abstractions to characters bearing proper names. Most modern scholarship has explained this transformation in terms originating in the work of Jacob Burckhardt: concern with religion and a taste for ...
Vladimir Brljak
wiley +1 more source
‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama
Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
wiley +1 more source
The Painterly Materiality of Clouds in Antony and Cleopatra and Hamlet
Abstract This article examines the cloud‐gazing scenes in Antony and Cleopatra and Hamlet through the lens of early modern artistic theory and material practices, particularly the art of limning. Building upon existing philosophical and poetic interpretations of Shakespearean clouds as metaphors for ephemerality and memory, the essay argues that the ...
Anne‐Valérie Dulac
wiley +1 more source
The Therapeutic Wanderings of Pericles
This article considers the agency of Shakespeare and Wilkins’ play Pericles in shaping its own reception history across time. It considers the play as the most medicine-friendly work in the unusually medicine-friendly Shakespeare canon, before ...
Michael Dobson
doaj +1 more source
‘There Has Been a Scandal’: Cultural Performers and the Strangers’ Churches of London
ABSTRACT Despite what one might assume to have been a rigid line between London's refugee community—with its strict brand of Protestantism—and the city's performance cultures—often the target of strict Protestants' ire—historical records reveal a number of overlaps between those domains.
Matteo Pangallo
wiley +1 more source

