Results 11 to 20 of about 198 (159)
On Viktor Shklovsky’s Penchant for Forms
In the article, I have decided to sketch a brief portrait of the most significant Russian formalist Viktor Shklovsky. In order to comment upon his contribution to the development of literary theory, I cast some light on his original term ostranenie ...
Anna Maria Skibska
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Shklovsky estimated distances to planetary nebulae (PNs) based on an assumed constant ionized mass and the relationship between flux and radius under the assumption of a constant density, fully ionized shell. He found that a mass of ∼0.2 M⊙ yielded the best results.
David Buckley +2 more
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Russian formalists and Russian literature
Russian literature of the present day has lost its statehood and no longer pretends to build its own laws of development in the historical movement.
Yekaterina P. Berezhnaya
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How Nikolai Gogol's “Enchanted Place” was Made [PDF]
The article is devoted to the last short story by Nikolai Gogol — “Enchanted Place” — which concludes the second part of the collection “Evenings on a Farm near Dikanka” (1829–1832).
Wasilij G. Szczukin
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I. S. SHKLOVSKY AND LOW-FREQUENCY RADIO ASTRONOMY
Purpose: Proving of the high astrophysical significance of the low-frequency radio astronomy (decameter and adjacent hectometer and meter wavelengths), demonstration of the priority results of the Ukrainian low-frequency radio astronomy as well as ...
A. A. Konovalenko
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The Formalistic approach of Ziya Movahhedâs âGhorabâ [PDF]
Formalism is an impressive movement at the beginning of the 20th century A.D. which even after a century, still keeps its theoretical values and is new in surveying texts. It was a movement of tendency from content to form in Russian literature.
علی تسلیمی +2 more
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Rome, October 13th, 1965: Shklovsky interviewed by Arbasino
In an issue that connects artistic creation with desire in many ways, we propose here the notoriously eccentric point of view of Šklovskij, through the re-reading a long conversation he had with Alberto Arbasino, published by “Il Giorno”, 13th October ...
Alberto Arbasino
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Viktor Shklovsky’sOstrannenieand the ‘Hermeneutics of wonder’ [PDF]
In this conversation, Tom Gunning and Annie van den Oever return to Viktor Shklovsky’s notion of ostrannenie (making strange), a neologism coined in what turned out to become a modern art theory that was developed by the young Shklovsky in the midst of the great popularity of film shows in Russia in 1913.
van den Oever, Annie, Gunning, Tom
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“To Spark the Critical Idea”: Debates on A.N. Tolstoy’s Novel Peter the Great in 1934–1935 [PDF]
The article examines the literary and critical reviews devoted to the publication of the second book of the novel by A.N. Tolstoy Peter the Great in early 1934, as well as the materials of three discussions with the participation of Moscow and Leningrad ...
Anna S. Akimova
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The Problem of the Poetic Script and the Aesthetic Position of V. Mayakovsky in Discussions of the 1920s [PDF]
Cinema was a new type of poetry for Mayakovsky. Its unit of measurement was not the word, but time and movement. He believed a new type of art should be studied through its specificity, which changes our view of the world.
Tatiana A. Kupchenko
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