Results 81 to 90 of about 374,065 (298)
Garibaldi e l'epopea garibaldina nel cinema muto italiano. Dalle origini alla I guerra mondiale
The first film producted by an italian studio was "La presa di Roma - 20 settembre 1870" (Albertini & Santoni, 1905) and the Italian Risorgimento will continue to be one of the most favoured subjects of italian cinematography.
Giovanni Lasi
doaj +1 more source
Despite benefits to storage stability and handleability of aluminum scrap, octadecyl phosphonic acid (ODPA) SAMs reduce the tensile strength of wires produced using friction‐induced recycling. Etching and methyl diphosphonic acid (MDPA) coatings, however, have little effect.
Timothy D. Goller +3 more
wiley +1 more source
This paper examines how the characteristic behaviors of late 19thand early 20th-century café-concerts and music halls shaped the portrayal of women in post-revolutionary Soviet silent cinema.
DARIA O. MARTYNOVA / Д. О. МАРТЫНОВА
doaj +1 more source
Dalla ‘compilazione d’autore’ al ‘poema lirico-sinfonico’
Musical accompaniment of films entered a new era as a dramaturgic practice in 1914, thanks to the world-wide success of Cabiria. Giovanni Pastrone’s ‘Dannunzian’ film played an important role in the creation of moving picture orchestras and ...
Sala, Emilio
doaj +1 more source
The article deals with the complicated fates of my radio drama Podróż na Księżyc [Journey to the Moon]. In it, I write about the inspiration I drew from the work on an article about the subject of death in early silent cinema.
Monika Milewska
doaj +1 more source
PUF/ENB microcapsules were synthesized based on a sequential factorial design and incorporated into an epoxy matrix. Their anticorrosive action, associated with the self‐healing mechanism, demonstrated that the addition of microcapsules to the coating improved anticorrosive performance compared to pure epoxy coatings, particularly when the encapsulate ...
Vandicleya Alves Moreira +6 more
wiley +1 more source
CINEMA MUSIC IN THE SILENT MOVIE ERA
In the silent movie era, the tendency of using original music specially written for a certain motion picture was abandoned, probably due to its high costs, and the creation and use of musical collages of preexisting cultured and entertainment music was ...
Aaron FAZAKAS
doaj
The Doppelgänger in Wilhelmine cinema (1895-1914) : modernity, audiences and identity in turn-of-the-century Germany [PDF]
The Doppelganger is a celebrated motif of German silent cinema that has been seen by art and literary historians as a filmic descendant of German Romanticism, and by psychoanalysts as a concretisation of human beings' fears regarding their own ...
Kiss, Robert James
core

