Results 51 to 60 of about 53,720 (208)
ABSTRACT The ability to convey emotions and induce pleasure is one of the most important aspects of the way that music becomes meaningful to humans. Affective responses to music are specific to both cultural and personal preferences, but little is known about the individual variability in adolescence.
Mariangela Lippolis +4 more
wiley +1 more source
U radu se obrađuje povezanost i međuodnos slobode kao najviše vrednote ustavnog poretka Republike Hrvatske te najvišeg ideala društva suvremene demokracije i ustavne države prema pravu na slobodu mišljenja i izražavanja misli.
Mato Arlović
doaj +1 more source
Historia składni języka polskiego Krystyny Pisarkowej – świadectwo zmiany i źródło inspiracji
Krystyna Pisarkowa’s The History of Polish Syntax – The Testimony of Change and the Source of Inspiration The author of the article shows Krystyna Pisarkowa’s monograph as a text which presents a diachronic approach to Polish syntax in a new and ...
Agnieszka Słoboda
doaj +1 more source
Abstract The Spruce and Peatland Responses Under Changing Environments (SPRUCE) experiment has operated five whole‐ecosystem warming manipulations (+0, +2.25, +4.5, +6.75, and +9°C) with paired ambient and elevated CO2 atmospheres (eCO2, +500 ppm) for 8 full calendar years (since August 2015).
P. J. Hanson +12 more
wiley +1 more source
Using fuzzy logic to handle the semantic descriptions of music in a content-based retrieval system [PDF]
This paper explores the potential use of fuzzy logic for semantic music recommendation. We show that a set of affective/emotive, structural and kinaesthetic descriptors can be used to formulate a query which allows the retrieval of intended music.
Leman, Marc, Lesaffre, Micheline
core
Emotion descriptions and musical expressiveness
Emotion terms such as “sad”, “happy”, and “joyful” apply to a wide range of entities. We use them to refer to mental states of sentient beings, and also to describe features of non‐mental things such as comportment, nature, events, artworks and so on.
Michelle Liu
wiley +1 more source
It's not what you play, it's how you play it: timbre affects perception of emotion in music. [PDF]
Salient sensory experiences often have a strong emotional tone, but the neuropsychological relations between perceptual characteristics of sensory objects and the affective information they convey remain poorly defined. Here we addressed the relationship
Frost, Chris +5 more
core +2 more sources
Abstract Early environments can have significant and lasting effects on brain, body, and behavior across the lifecourse. Here, we address current research efforts to understand how experiences impact neurodevelopment with a new perspective integrating two well‐known conceptual frameworks – the Developmental Origins of Health and Disease (DOHaD) and ...
Emma T. Margolis +1 more
wiley +1 more source
Extending a network-of-elaborations representation to polyphonic music: Schenker and species counterpoint. [PDF]
A system of representing melodies as a network of elaborations has been developed, and used as the basis for software which generates melodies in response to the movements of a dancer.
Marsden, Alan
core +2 more sources
Emotion resonance and divergence: a semiotic analysis of music and sound in 'The Lost Thing', an animated short film and 'Elizabeth' a film trailer [PDF]
Music and sound contributions of interpersonal meaning to film narratives may be different from or similar to meanings made by language and image, and dynamic interactions between several modalities may generate new story messages.
Barton, Georgina, Noad, Betty
core +1 more source

