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FORM AND STYLEIN ELGAR’s SONATA FOR VIOLIN AND PIANO [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2020 The Sonata for violin and piano, op. 82, composed in 1918 by E. Elgar – a unique piece in this genre among the composer’s creation, has the traditional structure of a tripartite sonata; I. Allegro, II. Andante, III. Allegro non troppo.
MELNIC VICTORIA, COȘCIUG SVETLANA
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Review of Artistic Education, 2022 The article addresses the problem of investigating the evolutionary paradigm of the sonata for violin and piano in the Romanian compositional creation of the first half of the twentieth century, analyzing the work of the famous representative of the ...
Melnic Victoria, Florea Augustina
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Johannes Brahms’s Horn Trio and Its Unique Place in the Chamber Music Repertoire
Musical Offerings, 2021 The purpose of this research is to explore the elements in Brahms’s Trio for Piano, Violin, and Horn in E-flat Major, op. 40, that contribute to its unique position in the vast and revered library of chamber music. These include Brahms's use of folksong,
Chloë A. Sodonis
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The Second Sonata for Piano and Violin, Ópus 6 by George Enescu
Review of Artistic Education, 2021 The second Sonata for Piano and Violin, op. 6 by George Enescu marks the beginning of a long road of assimilation and synthesis of the Romanian folklore elements and of the way of expression“in Romanian popular character”, transposed on the ...
Ioniță Raluca Dobre
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SONATA FOR VIOLIN AND PIANO BY VLADIMIR ROTARU: PECULIARITIES OF THE MUSICAL LANGUAGE, COMPOSITION AND DRAMATURGY [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2022 The Sonata for violin and piano by Vladimir Rotaru has long been included in the pedagogical repertoire of the class of the chamber ensemble of the Academy of Music, Theater and Fine Arts, as it is distinguished by the originality of the compositional ...
SAULOVA, INESSA
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Edukacja Muzyczna, 2019 Issues concerning relations between the parts for two instruments and is effect on the tone form in the course of development of the form are discussed in the article.
Maryla RENAT
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Edukacja Muzyczna, 2019 The paper presents unknown compositions by a forgotten Polish composer, educator and organizer of musical life, active in the first half of the 20th century, in various centres in Poland and abroad.
Maryla RENAT
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Uncovering the Stylistic Traits of Romantic Leopoldo Miguéz
Musica Theorica, 2022 Leopoldo Miguéz (1850–1902) was a pioneer of absolute music in Brazil, composing the first Brazilian symphony, symphonic poem, violin sonata, and nocturne.
Desirée Mayr
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RiCognizioni, 2023 The aim of this paper is to highlight an aspect of Mozart's production that has long been neglected by contemporary musicology: the strong influence of Orientalism in some of the composer's works.
Cecilia Conte
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