Results 21 to 30 of about 24,453 (205)
Aram Khachaturian (1903-1978): A Retrospective [PDF]
Athens Journal of Humanities & Arts, 2018 Of the three stalwart Soviet composers who had achieved international fame during the reign of Josef Stalin, namely Sergey Prokofiev, Dmitri Shostakovich, and Aram Khachaturian, it was the latter who most consistently exemplified the tenets of Soviet ...
David Z. Kushner
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SIGNIFICANT PERSONALITIES AS TURNING POINTS IN THE LIFE AND MUSIC OF JOHANNES BRAHMS
Studia Universitatis Babeş-Bolyai. Musica, 2022 This paper aims to reveal the turning points in the life and work of German composer Johannes Brahms. These main events were influenced by certain figures of the epoch, whose encounters marked the artistic activity of Brahms.
Sebastian SHWAN, Stela DRĂGULIN
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Review of Artistic Education, 2020 Considered one of the founders of the Norwegian national music culture, Grieg sought to transpose into his music the grandeur of nature, the simplicity of people and their lives, the richness of fantasy and mythological stories.
Ioniță Raluca Dobre
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The Synthesis of the Traditional and the Innovative as the Main Direction for Mastering Chamber and Ensemble Instrumental Creativity by Mechislav Weinberg in the University Musician Training [PDF]
Музыкальное искусство и образование, 2019 2019 is declared the Mieczyslaw Weinberg’s year due to the 100th anniversary of the composer’s birth, whose works are rarely heard in concert halls of Russia. This fact stipulated the current paper devoted to Weinberg’s works.
Valentina L. Boiko, Sergey G. Сhaykin
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, 2022 Music Analysis, Volume 41, Issue 1, Page 183-207, March 2022.
John Koslovsky
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OLD AND NEW IN GHEORGHE NEAGA’S VIOLIN AND PIANO SONATAS: COMPARATIVE REFERENCES [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2015 This article is an outline comparison of two works for violin and piano in the sonata genre, representative for George Neaga’s componistic repertoire. The study focuses on examining issues both traditional and innovative relevant for Sonata No.
MELNIC VICTORIA, CHICIUC NATALIA
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Music Analysis, Volume 39, Issue 2, Page 190-213, July 2020., 2020 ABSTRACT The first movement of Roberto Gerhard's Quartetto No. 3 (ca. 1927), his final assignment under Schoenberg, represents a direct homage to the teacher. Gerhard finished the movement with a clearly identifiable allusion to the minor and major chords that close Schoenberg's String Quartet in F♯ minor No. 2, Op. 10 (1907–8).
Diego Alonso Tomás
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COMPOSITION PECULIARITIES IN THE SONATA C-MOLL FOR VIOLIN AND PIANO BY KONSTANTIN ROMANOV [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2015 The author analyzes the Sonata for Violin and Piano by Konstantin Romanov written in Chisinau in 1920s. This is one of the first works known in national music in the genre of sonata for violin, written on the territory of the Republic of Moldova.
ŢIRCUNOVA SVETLANA, BURUNOVA ANASTASIA
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SERAFIM BUZILĂ'S SONATA FOR VIOLIN AND PIANO: AN EXAMPLE OF COMPONISTIC INVENTIVITY AND A TRIBUTE TO THE GREAT GEORGE ENESCU [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2019 In his Sonata for Violin and Piano S. Buzila has taken on a rather difficult task: to combine folkloric elements with classical and contemporary elements in a sonata cycle, with its well-defined form, trying to express the psychology of the contemporary
MELNIC VICTORIA, PÎNZARU NATALIA
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ROMANTIC MEANINGS OF THE NATIONAL AND UNIVERSAL TENDENCIES IN THE SONATA FOR VIOLIN AND PIANO BY SABIN DRAGOI [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2020 The sonata for violin and piano of the remarkable Romanian composer, musicologist and folklorist Sabin Drăgoi presents an important stage in the evolutionary paradigm of the respective genre in the Romanian compositional creation of the first half of the
FLOREA, AUGUSTINA
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