Results 91 to 100 of about 10,765 (158)

Frontmatter of Quantitative Economics Vol. 17 Iss. 1

Quantitative Economics, Volume 17, Issue 1, Page i-ii, January 2026.
wiley   +1 more source

Philoctetes

, 2017
This book chapter discusses the story of Philoctetes and Sophocles' play in literature and fine ...
Dugdale, Eric;
core  

Frontmatter of Quantitative Economics Vol. 16 Iss. 4

Quantitative Economics, Volume 16, Issue 4, Page i-ii, November 2025.
wiley   +1 more source

Trachiniae

, 2015
Translated by Robin BondVerse translation of Sophocles' tragedy The Women of ...
Bond, R. P. (Robin)
core  

Antigone

aus dem Griechischen, von dem Uebersetzer des Oedipus [J.J.
Sophocles
core   +1 more source

Antigone in Phoinissae or the large shadow of Sophocles' Antigone

Humanitas, 2016
Sophocles’ Antigone has influenced the transmission and the interpretation of Euripides’ The Phoenician Women. Three passages of The Phoenician Women have shown us an image of Antigone as quite human and as a brave woman closer to Sophocles’ Antigone ...
Carmen Morenilla Talens
doaj  

Australia's Reputation as a Centre for International Arbitration: Wagners Nouvelle Caledonie Sarl v Vale Inco Nouvelle Caledonie Sas Missing a Critical Opportunity to Reverse the Eisenwerk Decision

Bond Law Review, 2011
Sophocles Kitharidis
doaj   +1 more source

The End of Sophocles’ Electra

Greek, Roman, and Byzantine Studies, 2002
Several passages in the final scene (1442 ff) can be elucidated, in text or in attribution to the characters, so as to clarify the logic of the finale.
William M. Calder III
doaj  

Of This and That: The Recognition Formula in Sophocles’ Electra

, 2017
This paper offers an analysis of recognition in Sophocles’ Electra. It identifies a particular verbal element marking many recognitions in tragedy: referred to as the recognition formula, it typically pairs proximal and distal deictics (e.g., ὅδ ̓ ἐστίν..
Dugdale, Eric;
core  

The Dramaturgy of Sophocles’ Inachus

Greek, Roman, and Byzantine Studies, 2001
Inachus was demonstrably not a satyr-play but a tragedy, and the surviving fragments allow a probable reconstruction of the action of the drama.
William M. Calder III
doaj