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Poetry Out Loud: Two Perspectives, The Halls Come Alive With the Sound of Poetry
Maine Policy Review, 2015 Susan Thebedeau
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Unifying the gestural and the vocal in the evolution of culture, the arts, and the brain. [PDF]
Front PsycholBrown S.
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Rhythm Processing Across Development: Origins, Links to Language Processing, and Perspectives for Intervention. [PDF]
Ann N Y Acad SciTillmann B, Goswami U, Moghimi S.
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The Sound of Poetry / The Poetry of Sound
2009Sound - one of the central elements of poetry - finds itself all but ignored in the current discourse on lyric forms. The essays collected here by Marjorie Perloff and Craig Dworkin break that critical silence to readdress some of the fundamental connections between poetry and sound - connections that go far beyond traditional metrical studies. Ranging
Marjorie Perloff, Craig Dworkin
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The Sound of Poetry / The Poetry of Sound: The 2006 MLA Presidential Forum
PMLA/Publications of the Modern Language Association of America, 2008An onomatopoeic expression automatically entails the specification of what is being described. A pattering sound cannot come from a piece of wood. But when I was listening to [Peter Ablinger's Berlin sound] recordings, I sometimes couldn't tell whether a sound was coming from thunder or a sheet of metal.
Marjorie Perloff, Craig Dworkin
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Sound–Emotion Interaction in Poetry
2022This book is a collection of studies providing a unique view on two central aspects of poetry: sounds and emotive qualities, with emphasis on their interactions. The book addresses various theoretical and methodological issues related to topics like sound symbolism, poetic prosody, and voice quality in recited poetry.
Reuven Tsur, Chen Gafni
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Pragmatics & Cognition, 1997
This paper assumes that the literary work of art is a "stratified system of norms", and that the description of each stratum may require a different kind of logic. One of the main problems is the meaningful integration of these descriptions. A speech sound may be described on an acoustic, a phonetic and a phonemic level; normally, its acoustic ...
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This paper assumes that the literary work of art is a "stratified system of norms", and that the description of each stratum may require a different kind of logic. One of the main problems is the meaningful integration of these descriptions. A speech sound may be described on an acoustic, a phonetic and a phonemic level; normally, its acoustic ...
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Semiotica, 2015
AbstractThis article takes seriously Edward Sapir’s observation about poetry as an example of linguistic relativity. Taking my cue from Dwight Bolinger’s “word affinities,” this article reports on the ways sounds of poetry evoke and convoke imaginative possibilities through phonological iconicity.
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AbstractThis article takes seriously Edward Sapir’s observation about poetry as an example of linguistic relativity. Taking my cue from Dwight Bolinger’s “word affinities,” this article reports on the ways sounds of poetry evoke and convoke imaginative possibilities through phonological iconicity.
openaire +1 more source