Results 1 to 10 of about 383,377 (258)
The Influence of Environment in the Alteration of the Stained-Glass Windows in Portuguese Monuments
This work presents the results of the exposure of soda-lime, potash-lime and mixed-alkali silicate glasses during ten and twenty months in different Portuguese monuments with historical stained-glass windows to characterize the influence of local ...
Teresa Palomar +4 more
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According to a discussion which took place in Germany in 1912, the fundamental environment for stained-glass making were workshops. It was within various workshops that simple ornamental glazing was put together.
Wojciech Bałus
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The article is devoted to the study of the 1678 Wedding Stained Glass of Rudolf Kesler and Maria Magdalena von Diesbach from the collection of the State Hermitage Museum (St. Petersburg, Russia), which has survived to this day.
Platonov Dmitry D.
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The Union of Science and Art: Stained Glass Windows for the South Kensington Museum
This article traces the history of a number of stained glass windows designed for the world’s leading museum of art and design, the South Kensington Museum, which opened in 1857.
Jasmine Allen
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Le vitrail entre quête de spiritualité et de lumière
In this research the problem proposed is the following: to what extent the abundance of light in the painting on glass presents a manifestation of the spirit, in other words to what extent the abundance of light in the painting on glass represents a ...
Leila Haj SADOK
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Reframing Stained Glass in Nineteenth-Century Britain: Culture, Aesthetics, Contexts
The introduction to this issue of 19 takes the form of a roundtable discussion between the guest editors Dr Jasmine Allen (The Stained Glass Museum), Dr Gareth Atkins (Queens’ College, Cambridge), and Dr Kate Nichols (Birmingham).
Gareth Atkins +2 more
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Jalons de l’histoire et enjeux de l’inventaire photographique des vitraux en Belgique
The photographic inventory of stained-glass windows developed from the beginning of the 20th century, following the course of history and reflecting concerns about and the development of reflection on heritage, inventory and art history.
Isabelle Lecocq, Emma Anquinet
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In the afterword to this issue, Isobel Armstrong reflects on a phenomenology of nineteenth-century stained glass.
Isobel Armstrong
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Stained glass windows are a precious heritage to pass on to future generations. However, medieval stained glass windows are particularly altered due to their chemical composition and the effects of climatic (mainly water and temperature), environmental ...
Aurélie Verney-Carron +11 more
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An invited contribution to a special issue, 'Victorian Things: A Forum on Material Obects', this article discusses the material nature of a specific stained glass window, emphasising the complex composite nature of the object and the ways that amateur stained glass makers struggled with this intricate process.
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