Results 21 to 30 of about 1,514 (77)
Sanatorium of Transfiguration. On the “Everlasting" Creativity of the Polish Reception of Thomas Mann’s novel ‘Magic Mountain’ [PDF]
, 2017 The reception of Thomas Mann in Poland confirms its special nature, involving a very high degree of transforming processing and extraordinary creativity. It is true that the author of The Magic Mountain, and only he is and was considered in Poland as the
Dziergwa, Roman
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Stanisław Barańczak słucha Mozarta
Acta Universitatis Lodziensis. Folia Litteraria Polonica, 2019 Szkic prezentuje interpretację wiersza Stanisława Barańczaka Z okna na którymś piętrze ta aria Mozarta. Barańczak jest tłumaczem libretta operowego Lorenza Da Pontego do opery Mozarta Wesele Figara.
Joanna Dembińska-Pawelec
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„Świat przebrany, nieprzebrany”. Metafora tekstylna w poezji Stanisława Barańczaka [PDF]
, 2019 The article discusses the issue of textile metaphor and its function in Stanisław Barańczak’s poetry – a topic that used to be discussed mainly in relation to women’s poetry.
Czaja, Kamila
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Ogórki małosolne antropomorfizowane. Próby o wierszu Za szkłem
Przestrzenie Teorii, 2016 The last volume of poetry by Stanisław Barańczak, titled Chirurgiczna precyzja (Surgical precision) features the poem Za szkłem (Behind glass). It is an extremely ironic and ambiguous work.
Adam Poprawa
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Ginsberg Barańczaka. Z dziejów jed(y)nego przekładu [PDF]
, 2019 The article is an analysis of the translation of the poem A Supermarket in California (Supermarket w Kaliforni), the only poem by Allen Ginsberg translated by Stanisław Barańczak. In the critical works of the author of Facial Corrections (Korekta twarzy)
Meller, Oskar
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Ja wiem, że to przedmowa [PDF]
, 2019 Stanisław Barańczak’s collection I Know It’s Not Right (Ja wiem, że to niesłuszne), published as samizdat in 1978, included a preface by Adam Michnik. The article analyses this preface and attempts to determine itsaddressee and understand the author’s ...
Poprawa, Adam
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In one breath (Jednym tchem) performed at the Theatre of the Eighth Day
Przestrzenie Teorii, 2016 This text deals with the 1971 play Jednym tchem (In one breath), performed at the Theatre of the Eighth Day (Teatr Ósmego Dnia) and based on Stanisław Barańczak’s poem.
Lech Raczak
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Zdystansowany inteligent. Emocje a afekt w poezji Barańczaka [PDF]
, 2019 The article analyses Barańczak’s poetry to compare the cultural models of presenting emotions (especially characteristic to modernist poetry exploring emotional restraint) with the feeling of hurt and the resulting fear occasionally seen in his work: not
Przymuszała, Beata Przymuszała
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Dramaturgia wiersza: „wiersz-płacz”. Płakała w nocy, ale nie jej płacz go zbudził
Przestrzenie Teorii, 2016 The article is an interpretation of the poem “Płakała w nocy, ale nie jej płacz go zbudził” (“She cried at night, but not her cries woke him”) written by Stanisław Barańczak.
Anna Krajewska
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Mistrzyni dyskrecji, znawczyni sztuki harmonii [PDF]
, 2015 The article presents the character of Julia Hartwig, a prominent war generation poet, born in 1921 and still extremely creative. The author of the article lists the most important information about her life, characterized by a poetic and translation ...
Legeżyńska, Anna
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