Results 41 to 50 of about 2,948 (202)
De Volta à Sala Fechada: o meu diálogo com Jerzy Grotowski
Revista Brasileira de Estudos da Presença, 2011 A partir da leitura de cartas e textos de Jerzy Grotowski, Eugenio Barba e Constantin Stanislavski, este texto discute as diferentes compreensões do autor acerca da obra de Grotowski.
Franco Ruffini
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O ENSINO DOS SISTEMAS TEATRAIS NA ESCOLA TEATRAL RUSSA
Revista da Fundarte, 2017 O artigo pesquisa e compara os métodos de trabalho de Konstantin Stanislavski com o teatro épico de Bertold Brecht e o espaço vazio de Peter Brook, visando apresentar uma alternativa à tradicional escola teatral russa baseada no método de Stanislavski ...
Argus Monteiro Nery Monteiro
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Back to the Closed Room: my dialogue with Jerzy Grotowski
Revista Brasileira de Estudos da Presença, 2011 From the reading of letters and texts by Jerzy Grotowski, Eugenio Barba and Constantin Stanislavski, this text discusses the different understandings of the author about Grotowski's work. By comparing different passages from the writings of Grotowski and
Franco Ruffini
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Understanding the acts of another: Edith Stein and Konstantin Stanislavski
Lebenswelt: Aesthetics and Philosophy of Experience, 2020 In her early work On the problem of empathy, (Zum Problem der Einfühlung), Edith Stein attempts to ´specify the particular intentional character of empathy´ (Zahavi 2001, 158).
Erik Rynell
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Repenser Stanislavski, fondateur du théâtre russe moderne
, 2019 Figure majeure du théâtre russe, Konstantin Stanislavski (1863-1938) a laissé une importante correspondance, qui témoigne de son trajet théorique et de sa longue pratique théâtrale.
Achechova, Aglaé +4 more
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Poiésis, 2020 Este artigo discorre sobre processos de formação de ator fazendo um diálogo entre a encarnação do afeto-paixão spinozista, com o que Matthias Alexander denominava hábito e com o bloqueio psicofísico de que fala Grotowski. Traz a Técnica de Alexander como
Mariana Rosa e Silva Santos
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A Segunda Natureza do Ator – Stanislavski e William James
, 2022 This article considers the origins of Stanislavski’s system and his insistence that the actor’s skills, like the musician’s, must be honed through daily exercises. Such practice must become the actor’s second nature, as Stanislavski terms it.
Whyman (University of Birmingham – Birmingham, Reino Unido), Rose
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The Actor’s Second Nature – Stanislavski and William James
Revista Brasileira de Estudos da Presença, 2014 This article considers the origins of Stanislavski’s system and his insistence that the actor’s skills, like the musician’s, must be honed through daily exercises. Such practice must become the actor’s second nature, as Stanislavski terms it.
Rose Whyman (University of Birmingham – Birmingham, Reino Unido)
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Von Hartmann vs. Freud: lo inconsciente en Stanislavski
Telondefondo : Revista de Teoría y Crítica Teatral, 2013 En este artículo se muestra que cuando Stanislavski habla sobre los procesos inconscientes no se refiere al inconsciente freudiano, sino a un concepto anterior elaborado por Eduard von Hartmann, que pudo haber llegado al maestro ruso mediante su contacto
Mario Cantú Toscano
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