Results 21 to 30 of about 272 (172)

STANISLAVSKI E A CRIATIVIDADE NO PROCESSO DECISÓRIO: UM ESTUDO DE CASO NA COOPERUNIÃO

open access: yesReflexão & Ação, 2009
Os problemas enfrentados pelas organizações no atual quadro econômico e comercial já não aceitam soluções anteriormente utilizadas (OECH, 1988). Isso impõe à sociedade a necessidade de desenvolver a criatividade, na busca de diferenciação profissional e ...
Lessandra Scherer Severo   +2 more
doaj   +1 more source

Imaginative contagion and moral corruption

open access: yesPhilosophy and Phenomenological Research, Volume 111, Issue 3, Page 999-1017, November 2025.
Abstract Imaginatively adopted attitudes and ways of thinking sometimes persist, bleeding into day‐to‐day thoughts and interactions. Such imaginative contagion is often reported in the context of theatrical acting, and is also observed among videogame players and virtual reality users. A first question is how imaginative contagion occurs.
Alex Fisher
wiley   +1 more source

Practice‐based educational and theatre research: A scoping review

open access: yesBritish Educational Research Journal, Volume 51, Issue 3, Page 1342-1371, June 2025.
Abstract Practice‐based research (PBR) has emerged as a valuable alternative to traditional scientific methods by generating knowledge through practice and enhancing the relevance of research to practitioners. However, knowledge about PBR has largely been developed within disciplinary silos, leading to its limited cross‐disciplinary understanding. This
Kamila Lewandowska, Mikołaj Bojnarowicz
wiley   +1 more source

Constantin Stanislavski e o estúdio de ópera do Teatro Bolshoi: percursos e pensamentos sobre ópera

open access: yesDAPesquisa, 2018
O objetivo deste artigo é apresentar o percurso do renomado ator e diretor de teatro Constantin Stanislavski em suas atividades operístico-musicais e, de forma especial, o Estúdio de Ópera que ele dirigiu a partir de 1918.
Rosane Faraco Santolin
doaj   +1 more source

From Hellerau to Here: Tracing the Lineage and Influence of Dalcroze Eurhythmics on the Family Tree of Theatre Pedagogy

open access: yesArts, 2023
Actor training in Western culture evolved as an oral tradition. Formal education appeared in the late-nineteenth century with the work of Konstantin Stanislavski.
Andrew Davidson
doaj   +1 more source

Can anthropologists get humor? A collaborative experiment on empathetic knowing at a time of predicaments

open access: yesAmerican Anthropologist, Volume 126, Issue 3, Page 434-445, September 2024.
Abstract As a pandemic‐era collaborative writing project undertaken amid rising geopolitical tensions, this article demonstrates understanding humor in contemporary China as an ethnographic project leading toward deep, empathetic knowledge at a time when in‐person fieldwork became difficult.
Jing Xu, Yang Zhan
wiley   +1 more source

Paradoxes of “Reincarnation” in the Actor’s Art. Theory and Practice

open access: yesКультура України, 2018
Problem statement. In the educational and professional theater field there are some doubtful concepts and terms which do not correspond to the nature of acting, and therefore hinder the process of education of an actor.
V. P. Patsunov
doaj   +1 more source

De Volta à Sala Fechada: o meu diálogo com Jerzy Grotowski

open access: yesRevista Brasileira de Estudos da Presença, 2011
A partir da leitura de cartas e textos de Jerzy Grotowski, Eugenio Barba e Constantin Stanislavski, este texto discute as diferentes compreensões do autor acerca da obra de Grotowski.
Franco Ruffini
doaj  

QUANDO VIDA E ARTE SE ENCONTRAM: UM DIÁLOGO ENTRE VIGOTSKI E STANISLAVSKI

open access: yesPsicologia em Estudo, 2017
Vigostski e Stanislavski, além de compartilharem da mesma origem cultural e terem se nutrido do materialismo histórico-dialético, abordaram o tema da experiência humana, na vida e na arte.
Raquel Rodrigues Capucci   +1 more
doaj   +1 more source

Questão prática, resposta crítica

open access: yesAletria: Revista de Estudos de Literatura, 2000
Este artigo visa discutir os conflitos existentes entre teoria e prática teatral, utilizando como instrumentos dois monólogos da dramaturga mexicana Sabina Berman e o manual de preparação do ator de Stanislavski, buscando resgatar o diálogo existente ...
Alessandra Dutra Santos
doaj   +1 more source

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