Results 41 to 50 of about 2,720 (203)

Is synaesthesia a predisposing factor to post-traumatic stress disorder?

open access: yesFrontiers in Bioscience-Scholar, 2021
This article summarises recent evidence that suggests that synaesthesia is one of the largest known risk factors for the development of the post-traumatic stress disorder (PTSD).
Jamie Ward
doaj   +1 more source

Beyond Immediate Givenness: Husserl's Content‐Apprehension Schema in Light of Merleau‐Ponty's Critique of Sensation

open access: yesEuropean Journal of Philosophy, EarlyView.
Abstract Merleau‐Ponty's Phenomenology of Perception (2012 [1945]) opens with a detailed critique of traditional philosophical accounts of sensation, generally understood as having Husserl's “content‐apprehension schema” among its targets. The schema sees perception as resulting from the interpretation (“apprehension” or “apperception”) of “raw ...
Yamina Venuta
wiley   +1 more source

On the question of the multimodality of perceptions and its reflection in language

open access: yesПроглас, 2021
The article focuses on the semantics of the Bulgarian lexeme глух, examined on a wider Slavic, Balkan and Indo-European background. The emphasis is on the phenomenon of verbal synaesthesia, which allows the manifestation of the cross-modal character of ...
Anastasiya Petrova
doaj   +1 more source

Organizational Soundscapes and the Sonicity of Voices: The Power of the ‘Sounds’ that Carry ‘Words’

open access: yesJournal of Management Studies, EarlyView.
Abstract Organizations are soundscapes – they resonate with sounds and particularly the sounds of voices. Somehow however voice sonics, that is the sounds of voices and not the words carried on those sounds, have escaped attention in management studies. This absence of analysis is peculiar given voice sonics' undoubted influence on management (they may
Nancy Harding, Jackie Ford
wiley   +1 more source

Unmarked Emotional States and the Affective Anchoring of Continuity

open access: yesSociological Forum, EarlyView.
ABSTRACT Narratives around emotions often foreground remarkable episodes that interrupt situations, producing a “rollercoaster” image of emotional life that leaves its stability underdescribed. To analyze the emotional dimension of social continuity, this article theorizes unmarked emotional states (UES): culturally default, interactionally unobtrusive
Lorenzo Sabetta
wiley   +1 more source

Synaesthesia, Functionalism and Phenomenology [PDF]

open access: yes, 2007
No abstract ...
Macpherson, F.
core  

Enhanced Recognition Memory in Grapheme-Colour Synaesthesia for Different Categories of Visual Stimuli

open access: yesFrontiers in Psychology, 2013
Memory has been shown to be enhanced in grapheme-colour synaesthesia, and this enhancement extends to certain visual stimuli (that don’t induce synaesthesia) as well as stimuli comprised of graphemes (which do).
Jamie eWard   +3 more
doaj   +1 more source

Synaesthesia [PDF]

open access: yesCurrent Biology, 2005
Mulvenna, Catherine, Walsh, Vincent
  +5 more sources

Synaesthesia and learning: A critical review and novel theory

open access: yesFrontiers in Human Neuroscience, 2014
Learning and synaesthesia are profoundly interconnected. On the one hand, the development of synaesthesia is clearly influenced by learning. Synaesthetic inducers—the stimuli that evoke these unusual experiences—often involve the perception of complex ...
Marcus Robert Watson   +4 more
doaj   +1 more source

The impact of Synaesthesia on inclusive teaching and learning: A systematic literature review

open access: yesBritish Journal of Special Education, Volume 53, Issue 2, Page 189-199, June 2026.
Abstract Synaesthesia is a neurodevelopmental phenomenon involving consistent, involuntary cross‐modal sensory experiences. Though well‐documented in cognitive neuroscience, its implications for educational practice remain underexplored. This systematic narrative literature review investigates how synaesthesia may impact children's learning and inform ...
Alexandra Sewell   +2 more
wiley   +1 more source

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