Results 21 to 30 of about 59,845 (236)
Telondefondo : Revista de Teoría y Crítica Teatral, 2010 Este artículo propone un diálogo desde lo provisional del acto escénico, con lo perdurable de las imágenes y documentos relacionados con las artistas que pasaron por el escenario del Teatro Solís entre 1856 y 1947.
Daniela Bouret, Gonzalo Vicci
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img journalIn today’s society, where images –especially if in motion or emphasized by sounds and musics– play an important role in the communication and dissemination of more or less cultured topics, there is an increasing number of projects in the territory in ...
Pia Davico +2 more
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A criação dramatúrgica e a encenação a partir do teatro estático de Fernando Pessoa
Sinais de Cena, 2021 As peças de Fernando Pessoa ou apenas alguns fragmentos destas foram encenadas em Portugal ao longo dos últimos sessenta anos, juntamente com a poesia do autor. Neste ensaio tomamos como exemplo a experiência, em primeira pessoa, da criação dramatúrgica
Ricardo Boléo
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Gender &History, EarlyView.ABSTRACT In Spain, under General Franco's regime, homosexuality was regarded as an antisocial and dangerous behaviour. It was thus pursued both by the police and judicial courts. The Law on Vagrants and Crooks (1954) and, subsequently, the Law on Dangerousness and Social Rehabilitation (1970) constituted the legal mechanisms used by the dictatorship to
Jordi Mas Grau, Rafael Cáceres‐Feria
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International Journal of Art &Design Education, EarlyView.Abstract In an increasingly technology‐driven world, this study examined how communication design students can critically and creatively master advanced digital tools to craft immersive storytelling experiences, drawing upon an ‘analogue’ mindset. While immersive experiences are often associated with XR technologies, true immersion transcends the ...
Eleonora D'Ascenzi +2 more
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Geography Notebooks, 2021 Taking physical theatre as a reference point, in this paper I aim to explore the possibilities for a theatre that starts from sounds and places to develop its own forms, structures and contents.
Demis Quadri
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Fury and the antitheatrical prejudice: The violent power of play‐acting in the Cervantine picaresque
Orbis Litterarum, EarlyView.Abstract The article studies a cross‐generic relation between theatrical performance and the outbreak of violence in picaresque contexts across works by Miguel de Cervantes. It then proceeds to contextualize these persistent incidents within the philosophical history of antitheatricality.
Rasmus Vangshardt
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Contextualizing the Cappella Cesi: Sangallo, Façades, and Renaissance Collaboration
Renaissance Studies, EarlyView.Abstract This article reframes Antonio da Sangallo the Younger's oft‐overlooked cappella Cesi nave façade in Santa Maria della Pace not as an isolated design deviation but as part of a broader architectural and artistic conversation among major players in early sixteenth‐century Rome.
Alexis Culotta
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‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama
Renaissance Studies, EarlyView.Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
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La intervención teórica en el proceso creativo: Devenires trans y teorías de género
El Peldaño, 2023 Este trabajo es el resultado de la revuelta que causó y causa en nuestras mentes el acercamiento a las nuevas teorías de género que nos ofreció el tránsito por la materia Teorías de la comunicación artística, de la Maestría en Teatro de la UNICEN, a ...
Paula Echalecu +3 more
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