Results 31 to 40 of about 11,436 (185)
‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama
Renaissance Studies, EarlyView.Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
wiley +1 more source
CTP Ontology: A Semantic Model for Structuring Cultural Thematic Paths
Journal of the Association for Information Science and Technology, Volume 77, Issue 7, Page 979-1010, July 2026.Abstract A thematic path enhances the appreciation of cultural heritage by connecting diverse cultural objects through shared themes. This study introduces the Cultural Thematic Path (CTP) Ontology, designed to support the creation, organization, description, publication, and management of thematic paths within the GLAM (Galleries, Libraries, Archives,
Tiziana Pasciuto +2 more
wiley +1 more source
La intervención teórica en el proceso creativo: Devenires trans y teorías de género
El Peldaño, 2023 Este trabajo es el resultado de la revuelta que causó y causa en nuestras mentes el acercamiento a las nuevas teorías de género que nos ofreció el tránsito por la materia Teorías de la comunicación artística, de la Maestría en Teatro de la UNICEN, a ...
Paula Echalecu +3 more
doaj
Three Systemic Problems With the Privacy Notice Ecosystem
Policy &Internet, Volume 18, Issue 2, June 2026.ABSTRACT Privacy notices have become ubiquitous across digital platforms, yet they consistently fail to enable informed user choice about data collection and sharing practices. Despite decades of research and regulatory interventions, users continue to ignore or misunderstand privacy notices.
Sophia Walsh +2 more
wiley +1 more source
Alquipir, 2007 A continuación encontramos una recopilación de los teatros más importantes localizados en Cehegín donde se representaron obras escritas y desarrolladas allí ya desde el siglo XIX, representando historias locales y mitos del municipio. El pueblo cuenta con una larga tradición teatral que se ve reflejada en sus producciones.
Paco Peñalver Aroca +2 more
openaire +4 more sources
Contextualizing the Cappella Cesi: Sangallo, Façades, and Renaissance Collaboration
Renaissance Studies, Volume 40, Issue 3, Page 489-506, June 2026.Abstract This article reframes Antonio da Sangallo the Younger's oft‐overlooked cappella Cesi nave façade in Santa Maria della Pace not as an isolated design deviation but as part of a broader architectural and artistic conversation among major players in early sixteenth‐century Rome.
Alexis Culotta
wiley +1 more source
Nóema, 2016 Chi si occupa di teatro incontra il gioco innanzitutto come una categoria estetica insita nei processi che caratterizzano l’atto teatrale. Ma dall’approfondimento di tali meccanismi emerge anche la potenzialità conoscitiva del gioco, come condizione ...
David Beronio
doaj +1 more source
Shadow Theatre in the Training of Opera Singers? Shadow Theatre Techniques for Educational Purposes
Sinais de Cena, 2023 The article illustrates the potential of shadow theatre for training purposes by describing, from the perspective of artistic creation, a particular experience of collaboration between a Swiss music conservatory and an Italian theatre company ...
Jenaro Meléndrez Chas
doaj +1 more source
Gender &History, Volume 38, Issue 1, Page 86-101, March 2026.Abstract Past studies of prostitution have mislabelled Mexican women as prostitutes when it is not clear that they had engaged in transactional sex. Here, we examine the history of prostitution between 1750 and 1865, detailing both legal frameworks and judicial evidence to address the reasons for the inflation of prostitution's presence in Mexico ...
Nora E. Jaffary, Luis Londoño
wiley +1 more source
Teatro Utile (Arte e Sviluppo)
Quaderns de Filologia: Estudis Literaris, 2014 Il progetto “Teatro Utile (Arte e Sviluppo)” è nato per favorire la diffusione di un teatro multiculturale, socialmente utile e attento agli sviluppi che la nostra realtà sta vivendo.
Tiziana Bergamaschi
doaj +1 more source