Results 21 to 30 of about 615,903 (230)
International Journal of Art &Design Education, EarlyView.Abstract In an increasingly technology‐driven world, this study examined how communication design students can critically and creatively master advanced digital tools to craft immersive storytelling experiences, drawing upon an ‘analogue’ mindset. While immersive experiences are often associated with XR technologies, true immersion transcends the ...
Eleonora D'Ascenzi +2 more
wiley +1 more source
Artists in Nursery Schools: Enabling Free Play and Self‐Expression Through the Arts
International Journal of Art &Design Education, EarlyView.Abstract The purpose of this research was to analyse the presence of artists in nursery schools by means of two proposals to promote free play and self‐expression for children between one and 3 years‐old and their families. Researchers compiled evidence from the perspective of three atelieristas and other participating adults, through interviews and ...
Ainhoa Gómez‐Pintado +1 more
wiley +1 more source
Teatro de Zorrilla : temporada de ferias 1918 : [programa] [PDF]
, 1918 Representaciones: A tiro limpio. De rodillas y a tus pies. La Concha, 25 de septiembre de 1918Copia digital. Valladolid : Junta de Castilla y León.
Teatro Zorrilla (Valladolid)
core +3 more sources
Contextualizing the Cappella Cesi: Sangallo, Façades, and Renaissance Collaboration
Renaissance Studies, EarlyView.Abstract This article reframes Antonio da Sangallo the Younger's oft‐overlooked cappella Cesi nave façade in Santa Maria della Pace not as an isolated design deviation but as part of a broader architectural and artistic conversation among major players in early sixteenth‐century Rome.
Alexis Culotta
wiley +1 more source
Dos grandes y únicos conciertos instrumentales dirigidos por el eminente maestro Felipe Espino : [programa] [PDF]
, 1911 En el Teatro del Liceo, los días 28 y 29 de octubre de 1911Copia digital. Valladolid : Junta de Castilla y León.
Teatro Liceo (Salamanca)
core +1 more source
‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama
Renaissance Studies, EarlyView.Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
wiley +1 more source
La intervención teórica en el proceso creativo: Devenires trans y teorías de género
El Peldaño, 2023 Este trabajo es el resultado de la revuelta que causó y causa en nuestras mentes el acercamiento a las nuevas teorías de género que nos ofreció el tránsito por la materia Teorías de la comunicación artística, de la Maestría en Teatro de la UNICEN, a ...
Paula Echalecu +3 more
doaj
Teatro de Villanubla [Material gráfico]: fiestas del Carmen : grandiosa función organizada por la Agrupación Talía [PDF]
, 1925 Representación: CobardíasCopia digital. Valladolid : Junta de Castilla y León.
Teatro de Villanubla
core +1 more source
Teatro – Descripción del teatro
, 2022 1 separador y 1 ficha que forman unidad. El separador lleva por título “Descripción del teatro”. En el separador se anota “Tertulia va a centros culturales” y el vuelto repite la misma información. El conjunto recoge los versos de agradecimiento de Cubillo de Aragón al rey por haberle dado 15 doblones.
Menéndez Pidal, Ramón (1869-1968) +2 more
openaire +1 more source
Gender &History, Volume 38, Issue 1, Page 86-101, March 2026.Abstract Past studies of prostitution have mislabelled Mexican women as prostitutes when it is not clear that they had engaged in transactional sex. Here, we examine the history of prostitution between 1750 and 1865, detailing both legal frameworks and judicial evidence to address the reasons for the inflation of prostitution's presence in Mexico ...
Nora E. Jaffary, Luis Londoño
wiley +1 more source