Results 21 to 30 of about 250,045 (168)
El Museo del Teatro de Caesaraugusta [PDF]
Boletín del Museo Arqueológico Nacional, 2017 El Museo de sitio, gestionado por el Ayuntamiento de Zaragoza, fue inaugurado en el año 2003. Está constituido por los restos del teatro romano, considerado como una sala expositiva más, y por un nuevo edificio que conserva la fachada de una antigua casa
Romana Erice Lacabe, Carmen Aguarod Otal
doaj
Artists in Nursery Schools: Enabling Free Play and Self‐Expression Through the Arts
International Journal of Art &Design Education, EarlyView.Abstract The purpose of this research was to analyse the presence of artists in nursery schools by means of two proposals to promote free play and self‐expression for children between one and 3 years‐old and their families. Researchers compiled evidence from the perspective of three atelieristas and other participating adults, through interviews and ...
Ainhoa Gómez‐Pintado +1 more
wiley +1 more source
Public Health Nursing, EarlyView.ABSTRACT Objective To understand how affective bonds and experiences of gender‐based violence intersect the trajectories of women experiencing homelessness and influence their relationship with the Psychosocial Care Network (RAPS). Methods A qualitative study with an ethnographic approach, conducted between August and December 2025 in Campinas, Brazil,
Julia Marino Sanches +5 more
wiley +1 more source
Bulletin of Latin American Research, Volume 45, Issue 4, October 2026.ABSTRACT I explore two exhibitions that were curated from a decolonial and anti‐racist position by Indigenous Brazilian and non‐white working‐class Argentine artists: Véxoa: Nós sabemos (Véxoa: We Know) and ¿Qué necesitan aprender los museos? (What Do Museums Need to Learn?).
Peter Wade
wiley +1 more source
Mascates de sonhos: as experiências dos artistas de circo-teatro em Santa Catarina - circo-teatro Nh'Ana / [PDF]
, 2000 Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Filosofia e Ciências Humanas.Estudo sobre as experiências dos artistas de circo-teatro em Santa Catarina, tendo como referência o Circo-Teatro Nh'Ana.
Andrade Júnior, Lourival
core
Telondefondo : Revista de Teoría y Crítica Teatral, 2010 Este artículo propone un diálogo desde lo provisional del acto escénico, con lo perdurable de las imágenes y documentos relacionados con las artistas que pasaron por el escenario del Teatro Solís entre 1856 y 1947.
Daniela Bouret, Gonzalo Vicci
doaj +1 more source
Reimagining public governance through the commons: prefigurative legality at play?
Journal of Law and Society, Volume 53, Issue 3, Page 403-425, September 2026.Abstract This article contributes to the emerging scholarship on prefigurative legality by prompting critical questions on the boundaries of prefigurative legality itself. The article does so by reviewing two selected experiments for creating urban commons in Italy.
MARGHERITA PIERACCINI
wiley +1 more source
A criação dramatúrgica e a encenação a partir do teatro estático de Fernando Pessoa
Sinais de Cena, 2021 As peças de Fernando Pessoa ou apenas alguns fragmentos destas foram encenadas em Portugal ao longo dos últimos sessenta anos, juntamente com a poesia do autor. Neste ensaio tomamos como exemplo a experiência, em primeira pessoa, da criação dramatúrgica
Ricardo Boléo
doaj
‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama
Renaissance Studies, Volume 40, Issue 4, Page 570-588, September 2026.Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
wiley +1 more source