Results 31 to 40 of about 59,845 (236)
Teatro – Descripción del teatro
, 2022 1 separador y 1 ficha que forman unidad. El separador lleva por título “Descripción del teatro”. En el separador se anota “Tertulia va a centros culturales” y el vuelto repite la misma información. El conjunto recoge los versos de agradecimiento de Cubillo de Aragón al rey por haberle dado 15 doblones.
Menéndez Pidal, Ramón (1869-1968) +2 more
openaire +1 more source
JAPAN ARCHITECTURAL REVIEW, Volume 9, Issue 1, January–December 2026.ABSTRACT In the 17th‐century Louvre expansion project, many architects used free‐standing columns, domes and large pediments for its east elevation. These elements helped give the elevation, over 150 m wide, the monumentality the court wanted, while also providing the appropriate articulation. Bernini was probably the only architect who did not use any
Taro Endo
wiley +1 more source
Naming the Wolves: Consumer Credit and Rentier Financialisation on the Brazilian Periphery
Antipode, Volume 58, Issue 1, January 2026.Abstract Recent social policy in Brazil has centred on a vision for financial inclusion that claims to alleviate poverty through credit‐based consumption. We argue that, contrary to these claims, Brazil's consumer credit boom has entrenched a financialised macroeconomic model in which debt and rentierism have become motors of the national economy ...
Jessica Sklair +2 more
wiley +1 more source
Nóema, 2016 Chi si occupa di teatro incontra il gioco innanzitutto come una categoria estetica insita nei processi che caratterizzano l’atto teatrale. Ma dall’approfondimento di tali meccanismi emerge anche la potenzialità conoscitiva del gioco, come condizione ...
David Beronio
doaj +1 more source
On Emerging British‐Latinx Art: The Case of Art Ubicua
Bulletin of Latin American Research, Volume 45, Issue 1, January 2026.ABSTRACT The historicisation of Latinx art has been consolidated as a field of study in the United States. While categorising art by specific communities or geographic regions can sometimes marginalise artists, such classifications have also opened up opportunities in spaces that might otherwise remain exclusive and inaccessible.
Clara Garavelli
wiley +1 more source
Panambí, 2018 La sección [INCISO] sólo tiene numeración interna y no es indexada. Recoge manifestaciones artísticas de la región de Valparaíso, Chile, expuestas en el formato de la revista Panambí, tales como fotografías, dibujos, manifiestos, escritos experimentales,
Carina Aspillaga
doaj +1 more source
Survey of characterization and cultural consumption of the audiences of the Biobío Theater
Culturas, 2020 Teatro Biobío, after two years of operation, already has different audiences studios. The objective of this research is to characterize the audiences that attend the artistic programming of the Biobío Theater, according to cultural domain.
Aileen Chales-Aoun
doaj +1 more source
Móin-Móin: Revista de estudos sobre teatro de formas animadas, 2018 Hoy en día, existe la tendencia a pensar ciertas propuestas artísticas desde el concepto de lo híbrido o la hibridación, indagando en el tipo específico de híbrido que ellas representarían, en sus características, cualidades y/o desventajas, en su parentesco con otras obras y en su grado de innovación, ruptura o transgresión, lo cual constituye una ...
openaire +3 more sources
Commemorating Festive Performances in Popular Print in Sixteenth‐Century Italy☆
Renaissance Studies, Volume 39, Issue 5, Page 632-657, November 2025.Abstract The aim of this article is to show that the popular print sold and distributed during and after festive events, such as Carnival, had an impact on the commemoration and shaping of festive culture in early modern Italy. That is, the mass medium of print that had begun to shape European cultures, especially in Italy where Venice was one of ...
Rozanne Versendaal
wiley +1 more source
Legacies of the OSEA ethnography and Maya language field school (1997–2023)
Annals of Anthropological Practice, Volume 49, Issue 1, May 2025.Abstract This article discusses the legacies of the Open School of Ethnography and Anthropology (OSEA) field school programs and projects. OSEA was founded in 2003 in Pisté, Yucatán, Mexico, and continues to offer an array of programs to undergraduates, graduate students, non‐students, and scholars.
Quetzil E. Castañeda
wiley +1 more source