Results 71 to 80 of about 127 (113)

Style classification of media painting images by integrating ResNet and attention mechanism. [PDF]

Heliyon
Zhang X, Ding T.
europepmc   +1 more source

Religiosity and gender bias structure social networks. [PDF]

Evol Hum Sci
Ge E, DongZhi C, Mace R.
europepmc   +1 more source

Mapping the Knowledge Structure of Image Recognition in Cultural Heritage: A Scientometric Analysis Using CiteSpace, VOSviewer, and Bibliometrix. [PDF]

J Imaging
Ju F.
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Hierarchical symmetric GAN for Thangka image generation

npj Heritage Science
Wenjin Hu, Yan Zhao, Lemei Yin, Guoquan Zhang   +3 more
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Study of image features between carved Thangka and embroidered Thangka

Journal of Computational Methods in Sciences and Engineering, 2021
Thangka is a representative of Tibetan religion and culture, and it is a typical kind of intangible cultural heritage also. The paper studies the similarities and differences between carved Thangka and embroidered Thangka images based on highlight, shadow and edge information.
Li, Zhenjiang, Wang, Weilan
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Sketch Based Thangka Image Retrieval

2021 IEEE 5th Advanced Information Technology, Electronic and Automation Control Conference (IAEAC), 2021
Thangka art is a cultural representative of Tibet of China and one of the Intangible Cultural Heritage recognized by the United Nations. It’s a unique art form of painting in Tibetan culture. Thangka images contain rich historical, cultural and religious information.
Yunfei Li, Xiaojing Liu
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Summary on Thangka Image Segmentation

2020 International Conference on Intelligent Computing, Automation and Systems (ICICAS), 2020
Image segmentation is a basic task in the field of computer vision and image processing. At present, researchers use existing image segmentation technology to analyze and detect Thangka images, extract interesting objects, or obtain potential damaged areas to repair damaged areas in the next step.
Wang Honghui, Liu Xiaojing
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Colour symbolism in the art of Thangka

OOO "Zhurnal "Voprosy Istorii", 2023
The article examines the origin of symbolism and the cult of colour on the example of colour symbolism in the art of Thangka; it analyses two cultural and logical approaches to colour symbolism comprehension: using inductive method (generalization of natural attributes of colour) and deductive method (further transformation of colour symbolism into a ...
Wang Shuang, Ren Shuai
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A comparative analysis of image features between weave embroidered Thangka and piles embroidered Thangka

Tenth International Conference on Machine Vision (ICMV 2017), 2018
Thangka is a treasure of Tibetan culture. In its digital protection, most of the current research focuses on the content of Thangka images, not the fabrication process. For silk embroidered Thangka of "Guo Tang", there are two craft methods, namely, weave embroidered and piles embroidered.
Zhenjiang Li, Weilan Wang
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