Results 11 to 20 of about 1,849 (209)

The Parallels Between the Glossolalia and the Theatre of the Absurd

open access: yesReligions
The primary focus of this article is on the deconstruction of language within the context of glossolalia and the Theatre of the Absurd. Following World War II, the expression of absurdity in the literature and theatre gave rise to the Theatre of the ...
Antonia Čačić
doaj   +2 more sources

Re-reading Eugene Ionesco’s Rhinoceros through an ecological lens: exploring the aesthetic forms of nature in the Theatre of the Absurd

open access: yesCogent Arts & Humanities
The present paper falls within the field of ecocriticism, which problematizes literary and artistic activity from the point of view of the relationship between the human being (human nature) and nature (non-human), as expressed by and in works of art ...
Jamila Chtioui, Younes Ez-Zouaine
doaj   +2 more sources

The futuristic manifolds of REM sleep. [PDF]

open access: yesJ Sleep Res
Summary Since one of its first descriptions 70 years ago, rapid eye movement sleep has continually inspired and excited new generations of sleep researchers. Despite significant advancements in understanding its neurocircuitry, underlying mechanisms and microstates, many questions regarding its function, especially beyond the early neurodevelopment ...
Parrino L, Rosenzweig I.
europepmc   +2 more sources

La presencia de la materia epistolar en el Nouveau Roman y el Nouveau Théâtre [PDF]

open access: yesAnales de Filología Francesa, 2018
: The present article aims to analyse the presence of the epistolary material in the literary renovation materialised by the scriptural practices of the New Novel and The Theatre of the Absurd.
Lourdes Monterrubio
doaj   +2 more sources

The Beckettian Absurdist theatre of Silence: “Waiting for Godot” the Encounter of Marxian and Freudian Philosophies [PDF]

open access: yesAkofena
: With the inherent assumption that society needs to be revolutionized for updated change, the theatre as a “hyphenated genre” (Cohen-Cruz, 2005, p. 106) has a determined instrumental value that brings together the two distinct worlds of theatre and the ...
Hassiba BOUKHATEM
doaj   +1 more source

INFLUENCE OF ABSURD THEATRICAL TRADITION IN MODERN ASSAMESE DRAMA: A COMPARATIVE STUDY WITH REFERENCE TO THE PLAYS OF ARUN SHARMA

open access: yesLanguage Literacy: Journal of Linguistics, Literature, and Language Teaching, 2023
The contemporary Assamese plays have developed as a result of numerous interwoven influences and channels. And it is clear that western influences were what shaped the Assamese plays into their perfection.
Mohammad Rezaul Karim
doaj   +1 more source

THE POST-TOTALITARIAN THEATRE OF CONSTANTIN CHEIANU: IDENTITY, TRANSITION, AND THE ABSURD [PDF]

open access: yesStudiul Artelor şi Culturologie: Istorie, Teorie, Practică
Constantin Cheianu’s dramaturgy reflects the identity crisis and social instability of post-Soviet Moldova, portraying disoriented characters that are victims of corruption and the challenges of transition.
ȘCHIOPU, CONSTANTIN   +1 more
doaj   +1 more source

Samuel Beckett and music an absurd essay about the idea of musicality and musical form in Samuel Beckett’s short pieces - influences and possibilities [PDF]

open access: yesMuzikologija, 2004
The premise of musicality of Beckett’s short dramas contains more questions than answers. Is the musicality of text present only in the work of Samuel Beckett? Do only the (musical) stage remarks in Beckett’s dramas suggest the idea of musicality?
Mosusova Nadežda
doaj   +1 more source

El teatre en francès de Josep Palau i Fabre

open access: yesCatalonia, 2019
The theatre of Josep Palau i Fabre is not only the works that are published in the two volumes of complete works. As is shown in my book Josep Palau i Fabre. Alquímia i revolta (1935-1958) there are still many unpublished works.
Jordi Coca
doaj   +1 more source

Towards the Theater of the Absurd: Absurd Elements in OBERIU’s Plays in the Case of Vvedensky

open access: yesKonservatoryum
This article aims to reveal the similarities between the works classified as the “theatre of the absurd” by Martin Esslin and the theater works of the group known as OBERIU from the Russian avant-garde period.
Emine Öztürk Kızmış
doaj   +1 more source

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