Results 41 to 50 of about 1,849 (209)

Procedimientos de humor en Théâtre sans animaux de Jean-Michel Ribes [PDF]

open access: yesÇédille: Revista de Estudios Franceses, 2015
The aim of this paper is to examine the role of humour in Théâtre sans animaux. Our approach is to define two forms of humour which play on the effects of incoherence: the unusual and the absurd.
Montserrat Cots Vicente   +1 more
doaj  

The hunger artist and academic migration: On political depression and relational poverty

open access: yesThe Australian Journal of Anthropology, EarlyView.
Abstract This autoethnography presents fragments of an invisible life, an ordinary body navigating the terrain of ‘academic migration’ (2009–2025), from rejection as a PhD applicant to recognition as a high‐achieving graduate. Provoked by my recent pursuit of Fulbright Postdoctoral Award in the United States, I draw on Kafka's figure of the hunger ...
Dave Yan
wiley   +1 more source

The Experiment of Rebelling in Beckett: The Impact of Camus and Havel [PDF]

open access: yesPolish Journal of English Studies, 2018
The infinite and useless struggles of Camus’s Sisyphus have long informed discussions of the philosophy and theatre of the absurd. In the Greek myth, which Camus reductively appropriates, Sisyphus relentlessly repeats his efforts to roll the rock up the ...
Ivan Nyusztay
doaj  

ANATOMY LESSONS: TRANS LIFE BETWEEN PORTRAITURE AND PERFORMANCE IN PAUL B. PRECIADO'S ORLANDO, MY POLITICAL BIOGRAPHY (2023)

open access: yesGerman Life and Letters, Volume 79, Issue 3, Page 419-436, July 2026.
ABSTRACT This article considers how trans lives are mediated across literary, painterly and filmic registers in Paul B. Preciado's Orlando, My Political Biography (2023). My analysis draws on Andrew Webber's development of reading practices applied to intertextual works that also exhibit interpictorial and interfilmic dynamics in his reading of a scene
Lawrence Alexander
wiley   +1 more source

"Inspector" by N.V. Gogol - paradoxes of the experimental poetics

open access: yesOpera slavica, 2013
N. V. Gogol's comedy "Inspector" anticipated experiments of the 20th century theatre: N. Evreinov's "Theatre of the Paradox", V. Mejerkhold-director's innovations in Soviet Russia, and later the Theatre of the absurd and L. Pirandello's Metatheatre.
Alla Vladimirovna Zločevskaja
doaj  

Artificial Creativity and Human Fragility

open access: yesModern Theology, Volume 42, Issue 3, Page 543-558, July 2026.
Abstract This article critiques the widespread assumption that generative AI systems exhibit genuine artistic creativity. While such systems can produce novel and aesthetically appealing outputs, assessments based solely on results obscure fundamental differences between human and artificial agents.
Johanna Merz
wiley   +1 more source

Turning Hamlet Inside out: Creating an Independent Drama in Stoppard’s Rosencrantz and Guildenstern are Dead

open access: yesSustainable Business and Society in Emerging Economies
Purpose: This study examines Tom Stoppard’s Rosencrantz and Guildenstern are dead as a dramatic work that reinterprets Shakespeare’s Hamlet by shifting attention from the protagonist to a couple of minor characters.
Mirza Khurram Naseem Baig   +1 more
doaj   +1 more source

Somerset Maugham's Failings

open access: yes
Critical Quarterly, EarlyView.
Allan Hepburn
wiley   +1 more source

The Role of Theory in Biology: How You Can Be, and Likely Already Are, a Theoretician

open access: yesEcology and Evolution, Volume 16, Issue 6, June 2026.
Theory is an inextricable component of the scientific process. Nonetheless, many researchers have an uneasy relationship with theory. This paper provides tools to empower researchers to place their work within a theoretical framework, and to aid them in building and using theories. ABSTRACT Theory is an inextricable component of the scientific process.
Samuel M. Scheiner
wiley   +1 more source

The semantics of language in Eugène Ionesco’s plays

open access: yesSwedish Journal of Romanian Studies
The goal of this paper is to present the characteristics of Eugène Ionesco’s dramatic texts, a reason why the genre of avant-garde and theatre of the absurd are also considered, with a view to revealing their major ways of functioning.
Cristina Nicolaescu
doaj   +1 more source

Home - About - Disclaimer - Privacy