Results 51 to 60 of about 1,283 (174)

Iphigenia

open access: yesThe Journal of the Sylvia Townsend Warner Society
‘Iphigenia’ is the beginning of a play by Sylvia Townsend Warner. The typescript, held in the Sylvia Townsend Warner and Valentine Ackland Archive at the Dorset History Centre in Dorchester, is dated 1947 and comprises seven typed pages.
doaj   +2 more sources

Somerset Maugham's Failings

open access: yes
Critical Quarterly, Volume 68, Issue 3, Page 52-65, October 2026.
Allan Hepburn
wiley   +1 more source

Jorge Luis Borges' Medieval Aesthetics of Failure

open access: yes
Critical Quarterly, Volume 68, Issue 3, Page 10-24, October 2026.
Irina Dumitrescu
wiley   +1 more source

Melih Cevdet Anday’s “Dead Want to Talk” in Terms of the Playwriting Tendencies of “The Theater of the Absurd”

open access: yesKonservatoryum
Melih Cevdet Anday, one of the foremost playwrights in modern Turkish theater, has authored plays that exemplify the influence of “The Theater of the Absurd”.
Simay Yılmaz
doaj   +1 more source

Safety in Healthcare: From the Flight Deck to the Operating Room. [PDF]

open access: yesTurk J Anaesthesiol Reanim, 2023
Fuzier R, Izard P, Petiot E, Jaulin F.
europepmc   +1 more source

The Burlesque Comedy of the Spanish Golden Age: Parody, Nonsense, and Carnival

open access: yesHipogrifo: Revista de Literatura y Cultura del Siglo de Oro, 2018
This paper offers an approach to the main features and conventions of the burlesque comedy of the Spanish Golden Age, a corpus formed by about fifty parodic plays that were performed during Carnival and on St.
Carlos Mata Induráin
doaj   +1 more source

Digitised Justice: The New Two Tiers? [PDF]

open access: yesCrim Law Forum, 2022
Loo J, Findlay M.
europepmc   +1 more source

Postdramatic Performativity and the Aesthetics of Power in Harold Pinter’s The Homecoming

open access: yesRUDN Journal of Studies in Literature and Journalism
This study examines the dramaturgical innovations and philosophical provocations embedded in Harold Pinter’s early and mid-career work, particularly in The Homecoming (1965) as a paradigmatic articulation of his theatrical aesthetics.
Radoje V. Šoškić
doaj   +1 more source

L’Opéra en version anglaise : un enjeu esthétique ou sociologique ?

open access: yesRevue LISA, 2004
The history of English opera has always been conditioned by the ambivalent attitude of English-speaking audiences towards their own language. A close scrutiny of the London theatre seasons of the XVIIIth and XIXth centuries does indeed show a strong ...
Pierre Degott
doaj   +1 more source

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