Results 31 to 40 of about 1,849 (209)

El Teatro absurdo es un espejo de la realidad

الأستاذ, 2018
The Theatre of the Absurd is a trend in which many were written plays of certain US and European playwrights during the 1940s, 1950s and 1960s, in general, which arose from the work of those.
Lika mohamed Bashir
doaj   +1 more source

The political carnival and the culture of political elites – review of the book by P.L. Karabushchenko "Carnival Political Culture" (2022)

Современная наука и инновации, 2023
The recently observed increase in the carnival political culture primarily affects the behaviour of ruling political elites of the so-called "Collective West".
L. Ya. Podvoisky
doaj   +1 more source

The Irony of Liberation in One Flew Over the Cuckoo's Nest

The Journal of American Culture, EarlyView.
ABSTRACT The 1975 film One Flew Over the Cuckoo's Nest vividly portrays the tragic consequences of repressive psychiatric authority. The film was—and remains—one of the most memorable and well‐known products of anti‐psychiatry sentiment. Opponents of American psychiatry from the time period of Cuckoo's Nest objected to what they saw as social control ...
Laura Hirshbein
wiley   +1 more source

The theatre of Alfonso Vallejo and the theatre of the absurd : revindication of canon in "El escuchador de hielo" [PDF]

, 2018
Alfonso Vallejo is one of the most famous playwrights of modern Spain. He is also a poet, a painter and a doctor. He combines all of those disciplines and this has its consequences in the construction of the drama.
Szejko, Natalia
core   +1 more source

DRAMA EXISTENŢEI ŞI INCOMUNICABILITATEA ÎN TEATRUL ABSURDULUI

Studia Universitatis Moldaviae: Stiinte Umanistice, 2012
The article analyses the specific of the Theatre of Absurd, phenomenon in the world dramaturgy from the 2nd half of the 20th century. The main emphasis placed to the concept about existence, to the argumentation of the concept about absurd, to the ...
USM ADMIN
doaj  

Absurdski Village, Bulgaria

Litteraria Copernicana
The article is an introduction to the playwriting style of Yordan Radichkov (1929 – 2004), who is considered as one of the most prominent Bulgarian writers from the second half of the 20th century. His works gained him a special place in national culture
Petar Kaukov
doaj   +1 more source

Il re si diverte e muore: un itinerario dal grottesco all’assurdo

Itinera, 2013
This essay first discusses Victor Hugo’s defence of grotesque, his defence of Shakespeare, his achievements in Le roi s’amuse, and also the limitations due to his prophetic style.
Paulo Filipe Monteiro
doaj   +1 more source

A portrait unseen: Neil Bartlett's queer theatrical adaptation of Wilde's Dorian Gray

Orbis Litterarum, EarlyView.
Abstract Neil Bartlett's 2012 theatrical adaptation of The Picture of Dorian Gray presents a provocative reimagining of Wilde's novel, emphasizing its homoerotic and aesthetic dimensions while engaging with the historical and cultural anxieties surrounding queerness.
Younes Poorghorban
wiley   +1 more source

Theatraverse, Lecoq and a Post-modern Bilingual Theatre Aesthetic

Miranda: Revue Pluridisciplinaire du Monde Anglophone, 2018
Interview with Joanne Allan, artistic director of Theatraverse, a bilingual French/English company based in Paris. The interview was conducted by emails and one face to face meeting in September and October 2017.
Michael Richardson
doaj  

The Painterly Materiality of Clouds in Antony and Cleopatra and Hamlet

Renaissance Studies, EarlyView.
Abstract This article examines the cloud‐gazing scenes in Antony and Cleopatra and Hamlet through the lens of early modern artistic theory and material practices, particularly the art of limning. Building upon existing philosophical and poetic interpretations of Shakespearean clouds as metaphors for ephemerality and memory, the essay argues that the ...
Anne‐Valérie Dulac
wiley   +1 more source