Results 61 to 70 of about 1,283 (174)
On Some Pragmatic and Cognitive Theories Applicable to Literary Discourse
The aim of this paper is to to expatiate upon the significance of conversational maxim, frame and schema theories and their applicability to literary works written in the tradition of absurd drama.
Klaudia Bednárová-Gibová
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The aesthetics of Harold Pinter's dramatic art [PDF]
The British playwright Harold Pinter (1930-2008) is undoubtedly one of the greatest and most extraordinary modern playwrights, with the writing career which spanned over fifty years.
Šoškić Radoje V.
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Clio in the Operating Theatre: Historical Research, Emotional Health, and Surgical Training in Contemporary Britain. [PDF]
Arnold-Forster A.
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The Emergence of Cybernetics in Semiotics. Case Study: Art, Poetry and Absurd Theatre [PDF]
It is shown in this paper, some results on cybernetic modeling and Informational Statistics application who are presented for sustaining the perfect narrative love poem, Evening Star or Lucifer of Eminescu, the antenarrative of Eugène Ionesco and of ...
Niculae V. Mihaita
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Sentence prononcée contre P. et J., de Agustín Gómez-Arcos
In this article, Carlos Vicente Domínguez, presents the results of a brief semiotic analysis of the absurdist farce Sentence prononcée contre P. et J. (1970), an exilic work by Agustín Gómez-Arcos that has not been performed until now.
Carlos Vicente Domínguez
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The article is devoted to the analysis of Samuel Beckett's creative activity. The uniqueness of stylistics and poetics of the avant-garde writer has been described. The article focuses both on the main features of Beckett's short prose and the innovative
E A Koshkina
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The Cage Case. Arts and Social Neuroscience. [PDF]
Alfonso A, Camargo Molano J.
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Sentience and transcendence: personal reflections on physical and mental adaptation from a near-death event and life-limiting surgery. [PDF]
Ramsay J.
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Re Lear. “Essere maturi” in un mondo abbandonato alla cecità e alla follia
Drawing on Jan Kott, the essay emphasises how in King Lear the tragic and the grotesque dimensions are but two sides of the same coin, since a tragic situation becomes grotesque when both the alternatives of a forced choice are equally paradoxical ...
Giuseppe Di Giacomo
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Martwe krajobrazy Roya Anderssona
This article focuses on Roy Andersson’s signature landscapes using theatrical (theatre of the absurd) and painting (the trompe d’oleil effect, the aesthetics of tableaux vivants) motifs. The author presents the complex web of roles that landscape fulfils
Justyna Machaj
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