Results 71 to 80 of about 1,849 (209)

Digitised Justice: The New Two Tiers? [PDF]

Crim Law Forum, 2022
Loo J, Findlay M.
europepmc   +1 more source

The theatre of the absurd

, 1966
An introduction to the Theatre of the Absurd confronts the viewer with a meaningless, chaotic situation. Ludicrous people mouth meaningless dialogue, and the plot seems to move in ever diminishing concentric circles.
Brooks, Edith Beirne
core   +1 more source

Lithuanian Literature and Shakespeare: Several Cases of Reception

Interlitteraria, 2019
The article is based on the reception theory by Hans Robert Jauss and analyses how Shakespeare’s works were read, evaluated and interpreted in Lithuanian literature in the 19th to 21th centuries.
Eglė Keturakienė
doaj   +1 more source

Professional competence required in advanced practice nursing in critical care: An exploratory qualitative study. [PDF]

Nurs Open, 2023
Solberg MT, Pedersen I, Mathisen C, Finnstrøm IJ, Lundin PK, Nes AAG.   +5 more
europepmc   +1 more source

SLAWOMIR MROŽEK AND THE THEATRE OF THE ABSURD

, 2011
U radu se analizira opravdanost uvrštavanja najpoznatijeg poljskog poslijeratnog dramatičara Slawomira Mrożeka među autore "kazališta apsurda", na čemu je književna kritika desetljećima inzistirala. Rad će se osvrnuti na prilike u poljskom poslijeratnom
Sindičić Sabljo, Mirna, Mirna Sindičić Sabljo   +1 more
core   +1 more source

Postdramatic Performativity and the Aesthetics of Power in Harold Pinter’s The Homecoming

RUDN Journal of Studies in Literature and Journalism
This study examines the dramaturgical innovations and philosophical provocations embedded in Harold Pinter’s early and mid-career work, particularly in The Homecoming (1965) as a paradigmatic articulation of his theatrical aesthetics.
Radoje V. Šoškić
doaj   +1 more source

The Theatre of the Absurd: An Investigation in Revue

, 1969
Studio Theatre I Notes on the Absurd The Theatre of the Absurd tends toward a radical devaluation of language, toward a poetry that is to emerge from the concrete and objectified images of the stage itself.
Pinter, Harold, Bowles, Jane, Albee, Edward   +2 more
core   +1 more source

Re-envisioning the Theatre of the Absurd: The Lacanian Spectator and the Work of Fernando Arrabal, Arthur Adamov and Eugène Ionesco [PDF]

, 2013
This thesis considers the interface between the theatre of the absurd and Lacanian cultural criticism. It conceptualises a ‘theoretical spectator’ produced by the play texts and examines its implications for a politics of spectatorship in a postmodern ...
Cox, Lara Alexandra
core  

On Some Pragmatic and Cognitive Theories Applicable to Literary Discourse

RUDN Journal of Language Studies, Semiotics and Semantics, 2015
The aim of this paper is to to expatiate upon the significance of conversational maxim, frame and schema theories and their applicability to literary works written in the tradition of absurd drama.
Klaudia Bednárová-Gibová
doaj  

The Emergence of Cybernetics in Semiotics. Case Study: Art, Poetry and Absurd Theatre [PDF]

Journal of Systemics, Cybernetics and Informatics, 2011
It is shown in this paper, some results on cybernetic modeling and Informational Statistics application who are presented for sustaining the perfect narrative love poem, Evening Star or Lucifer of Eminescu, the antenarrative of Eugène Ionesco and of ...
Niculae V. Mihaita
doaj