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“The Dream of a Ridiculous Man” in Contemporary Theatrical Productions [PDF]

open access: yesDostoevsky and World Culture Philological Journal, 2022
The article is dedicated to three solo performances based on Fyodor Dostoevsky’s fantastic story “The Dream of a Ridiculous Man”, currently running on Italian and Russian stages (the first show is produced by OUT-OFF Theatre in Milan, Italy, starring ...
Tatiana G. Magaril-Il’iaeva
exaly   +3 more sources

Fringe Shakespeare: Shakespeare as You’ve Never Seen It Before

open access: yesAtlantis, 2022
The Edinburgh Festival Fringe has thousands of shows every year and dozens of Shakespeare productions among them. To stand out in the saturated festival market, Shakespeare productions emphasise their popular appeal, rebranding Shakespeare as a ...
Isabel Guerrero
doaj   +1 more source

The Technical Mediator in Arab Theater: Their Tools and Skills

open access: yesالاكاديمي, 2023
The artistic mediation in theater connects the human elements with the material elements in the theatrical production process. The human artistic mediator plays a crucial role in achieving the artistic and expressive goals of the theatrical work ...
Soualah wahiba
doaj   +1 more source

Performing Political Persuasion in the United States in the Early Years of the Republic

open access: yesRevista Alicantina de Estudios Ingleses, 2021
Theater productions were born out of a paradox in the United States of the Revolutionary War and shortly afterwards. While the nation’s dominant ideology was anti-theatrical, theater often served a nationalist agenda, co-defining the new American nation ...
Tomas Kacer
doaj   +1 more source

Crime and Punishment in Serbian Theatre in the First Half of the 20th Century [PDF]

open access: yesДостоевский и мировая культура: Филологический журнал, 2023
The article is devoted to theatrical adaptations of the novel Crime and Punishment by Fyodor Dostoevsky staged in Serbia during the first half of the 20th century. These productions are analyzed in the broad context of the transmedial storytelling of the
Enisa Uspenskaya
doaj   +1 more source

PECULIARITIES OF THEATRICAL BALLROOM CHOREOGRAPHY IN MUSICAL-DRAMATIC PLAYS

open access: yesВісник КНУКіМ: Серія Мистецтвознавство, 2018
The purpose of the article is to study the peculiarities of theatrical ballroom choreography in musical-dramatic plays in the context of genre specificity of productions; to analyze the stages of formation, development and establishment of choreographic ...
Olesia Vakulenko
doaj   +1 more source

Whose Authority May I Ask? Polish, English, German, Shakespearean or Directorial? On the Boundaries Between Ethnicity, Nationality, Religion and Theatricality in Jan Klata’s Shakespearean Productions

open access: yesMulticultural Shakespeare, 2018
Jan Klata is a director who has been labelled a provocateur and who is considered to hold nothing cultural or national sacred. From the beginning of his artistic career he is said to have challenged authorities: theatrical, ethnic, national, etc.
Jacek Fabiszak
doaj   +1 more source

Astonishing XVI. Annual Europe Theatre Prize Set in Ancient But Modern Rome

open access: yesSlovenské divadlo, 2018
The text briefly illustrates the history of the Europe Theatre Prize (ETP) and its current form. The author offers insights into the work of theatrical performers who received prizes in the categories of Special Prize and Europe Prize Theatrical ...
Knopová Elena
doaj   +1 more source

Lituanian directors read „Forefathers’ Eve”

open access: yesVilnius University Open Series, 2021
The article concerns two theatrical stagings of “Forefathers’ Eve” made by Lithuanian directors: Jonas Vaitkus (Academic Dramatic Theater in Vilnius, 1990) and Eimuntas Nekrošius (National Theater in Warsaw, 2016).
Maria Makaruk
doaj   +1 more source

The Aesthetic and Dramatic Values of Costumes in Musical Theater Performances Adapted from Walt Disney Animated Films. [PDF]

open access: yesERU Research Journal
      The 1990s marked a pivotal transformation in Disney’s entertainment strategy, as the company began adapting its successful animated films for the stage in the form of musical productions aimed at a broad Broadway audience.
Ghada Elnaggar
doaj   +1 more source

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