Results 11 to 20 of about 278,979 (282)
ROSALIE RAHAL HADDAD, Bernard Shaw in Brazil. The Reception of Theatrical Productions, 1927-2013
ABEI Journal, 2017 ROSALIE RAHAL HADDAD, Bernard Shaw in Brazil. The Reception of Theatrical Productions, 1927-2013. Bern: Peter Lang, 2016. 276 pp.
Maureen Murphy
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The Moving Image in the Theatre: CONTEMPORARY SCHOLARSHIP AND THE COMBINATION OF FILM AND THEATRE GRAMMARS IN THE THEATRICAL EVENT [PDF]
, 2011 A host of value judgments are implicit in the rhetoric and methodology of contemporary scholarship relating to the use of the moving image in the live theatre.
Morris, Nikolaus J
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Disney Theatrical Productions: 20 Years of Disney on Broadway [PDF]
, 2016 This dissertation examines the production practices of Disney Theatrical Productions (DTP), the theatrical producing arm of the studio branch of the Walt Disney Corporation.
Osatinski, Amy Sara
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Shakespeare’s "Othello" beyond the boundaries of the page: An analysis of two filmic productions
Anuário de Literatura, 2015 This article aims at observing and analyzing two filmic productions ofWilliam Shakespeare’s Othello. The first, entitledOthello, was directed, produced and starred by Orson Welles in 1952 andthe second, also entitledOthello, was directed by Oliver Parker
Camila Paula Camilotti
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L.M. Leonov’s plays on the stage of Tambov theatre
Неофилология, 2020 The review of productions of Tambov state academic order “Badge of Honour” of Lunacharsky drama theatre of L.M. Leonov plays “Invasion” (premiere of 3 October 1943), “An Ordinary Man” (22 September 1945), “Golden Carriage” (9 October 1971) is given ...
N. V. Sorokina
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Muzikološki Zbornik, 2023 Music served a variety of purposes at the Estates Theatre in Ljubljana. As well as being the main component of opera and theatre productions, it also served as entertainment for the audience during intermissions and enriched evening events.
Maruša Zupančič
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Rappresentare: Némirovsky tra narrativa e teatro
Itinera, 2019 The paper aims to explore the theatrical success of Irène Némirovsky’s work, analysing in particular two Italian productions: Il Ballo, conceived and performed by Sonia Bergamasco, and the play Jezabel, adapted from the namesake novel by Maddalena ...
Elena Quaglia
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Citation et autocitation dans les mises en scène françaises de “Six personnages en quête d’auteur” [PDF]
Parole Rubate, 2017 By analysing some modern French productions of Pirandello’s works (Sei personaggi in cerca d’autore, Vestire gli ignudi), this article focuses on modalities and purposes of theatrical citations, as well as on the role of quotations within the theatrical ...
Eve Duca
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Obrazy. 6. Andrej Michajlovič Lobanov, o del nomadismo
Mimesis Journal, 2017 This is the rst part of the pro le dedicated to Andrei Lobanov Mikhailovich (1900- 1959), a distinguished director-pedagogue (teacher at gitiS for Henrikas Vancevičius, Andrei Goncharov and Georgy Tovstonogov, among others) and author, between 1931 and ...
Massimo Lenzi
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Pamiętnik Teatralny, 2021 The Covid-19 pandemic plunged many theaters around the world into a temporary crisis and favored the rise of digital theater forms. This article investigates how the reception of theater changes in the digital space and, above all, how audiences as a ...
Kai Padberg
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