Results 21 to 30 of about 150,903 (210)

Understanding concurrent earcons: applying auditory scene analysis principles to concurrent earcon recognition [PDF]

open access: yes, 2004
Two investigations into the identification of concurrently presented, structured sounds, called earcons were carried out. One of the experiments investigated how varying the number of concurrently presented earcons affected their identification.
Blattner M. M.   +25 more
core   +2 more sources

Is Vivaldi smooth and takete? Non-verbal sensory scales for describing music qualities [PDF]

open access: yes, 2015
Studies on the perception of music qualities (such as induced or perceived emotions, performance styles, or timbre nuances) make a large use of verbal descriptors.
CANAZZA TARGON, Sergio   +4 more
core   +1 more source

Transformasi Pitch Suara Manusia Menggunakan Metode PSOLA

open access: yesJurnal Elkomika, 2014
ABSTRAKKemampuan pengubahan suara yang dilakukan Dubber untuk beragam bentuk suara menjadi perhatian khusus dengan melakukan rekayasa suara, di dalam perkembangan teknologi di kenal sebuah teknikpitch shifting yang digunakan untuk mengubah suara manusia ...
SUSETYO BAGAS BHASKORO   +2 more
doaj   +1 more source

Rendering Binaural Room Impulse Responses from Spherical Microphone Array Recordings Using Timbre Correction [PDF]

open access: yes, 2014
The technique of rendering binaural room impulse responses from spatial data captured by spherical microphone arrays has been recently proposed and investigated perceptually.
Rafaely, Boaz   +2 more
core   +1 more source

Automatic Assessment of Tone Quality in Violin Music Performance

open access: yesFrontiers in Psychology, 2019
The automatic assessment of music performance has become an area of increasing interest due to the growing number of technology-enhanced music learning systems.
Sergio Giraldo   +9 more
doaj   +1 more source

Enhancing timbre model using MFCC and its time derivatives for music similarity estimation

open access: yes, 2012
One of the popular methods for content-based music similarity estimation is to model timbre with MFCC as a single multivariate Gaussian with full covariance matrix, then use symmetric Kullback-Leibler divergence.
de leon, Franz, Martinez, Kirk
core   +1 more source

Parallel earcons: reducing the length of audio messages [PDF]

open access: yes, 1995
This paper describes a method of presenting structured audio messages, earcons, in parallel so that they take less time to play and can better keep pace with interactions in a human-computer interface.
Brewster, S.A.   +2 more
core   +3 more sources

Review: Robert Reigle and Paul Whitehead (Editors): Spectral World Musics: Proceedings of the Istanbul Spectral Music Conference [PDF]

open access: yes, 2010
This article reviews the book “Spectral World Musics: Proceedings of the Istanbul Spectral Music Conference”, edited by Robert Reigle and Paul ...
Whalley, Ian
core   +2 more sources

A Critical Analysis of Synthesizer User Interfaces for Timbre [PDF]

open access: yes, 2004
In this paper, we review and analyse categories of user interface used in hardware and software electronic music synthesizers. Problems with the user specification and modification of timbre are discussed.
Holland, Simon   +2 more
core  

Pediatric sensorimotor cortical responsiveness to intracerebral stimulation during stereoelectroencephalographic monitoring: Age effects and area specificity

open access: yesEpilepsia, EarlyView.
Abstract Objective This study was undertaken to determine how age influences clinical responsiveness to intracerebral electrical stimulation (IES) in children across primary and secondary sensorimotor cortices and to assess age effects on response complexity and area‐specific responsiveness.
Giulia Nobile   +10 more
wiley   +1 more source

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