Results 1 to 10 of about 50,564 (196)
Color and tone color: audiovisual crossmodal correspondences with musical instrument timbre [PDF]
Crossmodal correspondences, or widely shared tendencies for mapping experiences across sensory domains, are revealed in common descriptors of musical timbre such as bright, dark, and warm.
Lindsey Reymore +3 more
doaj +2 more sources
Multiple timescales of context influence perceptual sensitivity to common pairings of musical pitch and timbre. [PDF]
Previous studies have established that musical pitch and timbre (specifically, spectral shape) perceptually covary: lower pitches are associated with darker timbres (less higher-frequency energy) and higher pitches are associated with brighter timbres ...
Christian E Stilp +2 more
doaj +2 more sources
Unconscious overtone manipulation and transmission in flute performance: insights into musical expression and perception [PDF]
This study aims to elucidate the overtone structure of the flute, examine the impact of acoustic parameter alterations on timbre perception, and foster a shared vocabulary among players and listeners.
Kai Hiraiwa, Masanobu Miura
doaj +2 more sources
Le Cendrillon ‘en morceaux’ de Sara Fanelli
Sara Fanelli illustre Cendrillon avec une boîte en carton, un livret, dix‐huit cartes postales et des timbres. Cette ‘illustration’, sous forme de ‘boîte à trésor’ dont le ‘lecteur’ va pouvoir étaler le contenu, privilégie le découpage, le ‘vrac’ et les ...
Geneviève Guétemme
doaj +5 more sources
Along with pitch and loudness, timbre is commonly described as an audible property of sounds. This paper puts forward an alternative view—that timbres are properties of auditory media. This approach has many advantages.
Vivian Mizrahi
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There's More to Groove than Bass in Electronic Dance Music: Why Some People Won't Dance to Techno. [PDF]
The purpose of this study was to explore the relationship between audio descriptors for groove-based electronic dance music (EDM) and raters' perceived cognitive, affective, and psychomotor responses.
Brian C Wesolowski, Alex Hofmann
doaj +1 more source
Color and Timbre Gestures: An Approach with Bicategories and Bigroupoids
White light can be decomposed into different colors, and a complex sound wave can be decomposed into its partials. While the physics behind transverse and longitudinal waves is quite different and several theories have been developed to investigate the ...
Maria Mannone +3 more
doaj +1 more source
1934 versus 1938 : deux visions de l’instrumentalisation du football philatélique
Le timbre-poste et le football-association naissent tous les deux dans les transformations culturelles et économiques du xixe siècle. Il faut toutefois du temps pour que les deux se rencontrent.
Didier Rey
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Timbres inédits de Tomis [PDF]
Recent excavations in ancient Tomis (Western shore of the Black Sea) produced a few amphora stamps we publish here. New eponyms are being added for Tomis with respect to the expected production centers of Rhodos, Thasos, Sinope and Cnidus.
Alexandra LIȚU, Laurențiu CLIANTE
doaj

