An evaluation of earcons for use in auditory human-computer interfaces [PDF]
, 1993 An evaluation of earcons was carried out to seee whether they are an effective means of communicating information in sound. An initial experiment showed that earcons were better than unstructured bursts of sound and that musical timbres were more ...
Brewster, S.A. +2 more
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Understanding concurrent earcons: applying auditory scene analysis principles to concurrent earcon recognition [PDF]
, 2004 Two investigations into the identification of concurrently presented, structured sounds, called earcons were carried out. One of the experiments investigated how varying the number of concurrently presented earcons affected their identification.
Blattner M. M. +25 more
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Indices de perceptibilité et de différenciabilité des timbres vocaliques : la variabilité [e] - [ε] en français [PDF]
, 1990 Devant les incertitudes de la discrimination auditive, en particulier pour la perception du « double timbre » des voyelles en français, on a tenté d’établir des critères objectifs à l’aide de l’analyse acoustique.
Léon, Pierre R., Tennant, Jeff
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Frontiers in Psychology, 2014 The paradigm of Signal Detection Theory was used to analyze the ability of professional pianists (N = 16) and string players (N = 15) to discriminate small F0 differences between consecutive musical tones, presented in pairs, with identical and with ...
Allan eVurma
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Comparison of input devices in an ISEE direct timbre manipulation task [PDF]
, 1996 The representation and manipulation of sound within multimedia systems is an important and currently under-researched area. The paper gives an overview of the authors' work on the direct manipulation of audio information, and describes a solution based ...
Eaglestone, Barry, Vertegaal, Roel
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Parallel earcons: reducing the length of audio messages [PDF]
, 1995 This paper describes a method of presenting structured audio messages, earcons, in parallel so that they take less time to play and can better keep pace with interactions in a human-computer interface.
Brewster, S.A. +2 more
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It's not what you play, it's how you play it: timbre affects perception of emotion in music. [PDF]
, 2009 Salient sensory experiences often have a strong emotional tone, but the neuropsychological relations between perceptual characteristics of sensory objects and the affective information they convey remain poorly defined. Here we addressed the relationship
Frost, Chris +5 more
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Idiotismo y crítica: una aproximación al carácter demoledor de Suenan timbres de Luis Vidales
Estudios de Literatura Colombiana, 2016 En este artículo estudiamos la ópera prima de Luis Vidales, Suenan timbres, como posible desestabilizador del orden católico-conservador de principios del siglo XX en Colombia, en el marco de la generación de Los Nuevos.
Esnedy Zuluaga Hernández
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A manipulação do Timbre a partir de estruturas da Afinação Justa
Revista Vortex, 2021 The processes presented aim to establish principles for the organization of Just Intonation systems in the electronic environment by changing partials of a timbre.
Charles Neimog, Luiz Castelões
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Semantic Crosstalk in Timbre Perception
Music & Science, 2019 Many adjectives for musical timbre reflect cross-modal correspondence, particularly with vision and touch (e.g., “dark–bright,” “smooth–rough”). Although multisensory integration between visual/tactile processing and hearing has been demonstrated for ...
Zachary Wallmark
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