Results 91 to 100 of about 2,757 (229)

Renaissance of the Trinitarian: Erwin Schadel's Integral Perspective

Modern Theology, EarlyView.
Abstract Erwin Schadel (1946–2016), a central yet little‐known figure of the so‐called Bamberg School, developed a distinctive triadic ontology that deserves attention within the contemporary renaissance of Trinitarian thought. Drawing on Augustinian and Comenian sources, Schadel articulates a relational grammar of being through the categories of in ...
Matteo Raffaelli
wiley   +1 more source

The Diremption of Meaning

Modern Theology, EarlyView.
Abstract Examining work by Rowan Williams, this essay explores what he often refers to as the ‘difficulty’ of writing theology. The difficulty of theology lies in engaging the ruse of having ultimate answers to ultimate questions. The stakes are high: ‘God‐talk’ must concern itself with truth, with reality.
Graham Ward
wiley   +1 more source

Judaism, Philo, and Hegel's Theology

Modern Theology, EarlyView.
Abstract Hegel displays consistent interest in Judaism, but his presentation seems to differ widely between his earlier and later writings. Contemporary scholarly interpretations of this apparent change also differ widely. In this article, I present the interpretive problem as one of continuity‐discontinuity, and place the major scholarly treatments ...
Reed Frey, C.O.
wiley   +1 more source

Gendered Harmony and Unsung Collections: Two Debussy Rabbit Holes

Music Analysis, EarlyView.
ABSTRACT This review article on Mark McFarland's The Musical Relationship between Claude Debussy and Igor Stravinsky (2024) offers a critical reading of this recent text and treats its content as a springboard for the exploration of two issues untapped in existing musicological discourse.
Rajan Lal
wiley   +1 more source

Chopin's Craft of Musical Form: Making Romantic Music with Classical Theme Types and Galant Schemata

Music Analysis, EarlyView.
ABSTRACT Frédéric Chopin adhered to traditional practices in musical form to a far greater extent than hitherto acknowledged. He took certain standard formal paths with remarkable consistency throughout his compositional career and across almost all his favoured genres.
Matthew Riley
wiley   +1 more source

Titian's Falconer: From Zorzone to Girolamo Cornaro

Renaissance Studies, EarlyView.
ABSTRACT The identity of the sitter in Titian's Falconer and the issue of its dating have been subject to a false, yet very influential assumption: that The Falconer should be dated to a point as late as 1537 in order to connect it to the identity of Zorzone Cornaro (1517–1571), son of Girolamo (1485–1551).
Rachel Healy
wiley   +1 more source

The Constitutive Features of Discourse Dramaturgy

Вестник Северного (Арктического) федерального университета: Серия «Гуманитарные и социальные науки»
The phenomenon of discourse dramaturgy is the object of this research. Discourse modelling from the perspective of dramaturgy is one of the ways to examine the structure of discourse.
Nataliya N. Beloshitskaya
doaj   +1 more source

Expressing Inflection Tonally

Catalan Journal of Linguistics, 2005
The difference between neuter and feminine agreement on adjectives is expressed by a difference in lexical tone. This paper argues that this distinction is due to a difference in underlying representations en not to a paradigmatic antifaithfulness effect.
openaire   +6 more sources

Unmarked Emotional States and the Affective Anchoring of Continuity

Sociological Forum, EarlyView.
ABSTRACT Narratives around emotions often foreground remarkable episodes that interrupt situations, producing a “rollercoaster” image of emotional life that leaves its stability underdescribed. To analyze the emotional dimension of social continuity, this article theorizes unmarked emotional states (UES): culturally default, interactionally unobtrusive
Lorenzo Sabetta
wiley   +1 more source

Generative AI and the Future of Musical Diversity

Topics in Cognitive Science, EarlyView.
Abstract I argue that the current proliferation of generative artificial intelligence (AI) represents a new stage in a longer historical process of distancing humans from their unique individual psyches and of reducing participation and cultural diversity in music. The argument consists of six parts: (1) reiterating the uniqueness of individual psyches,
Dor Shilton
wiley   +1 more source