Results 101 to 110 of about 2,837 (224)

The Diremption of Meaning

Modern Theology, EarlyView.
Abstract Examining work by Rowan Williams, this essay explores what he often refers to as the ‘difficulty’ of writing theology. The difficulty of theology lies in engaging the ruse of having ultimate answers to ultimate questions. The stakes are high: ‘God‐talk’ must concern itself with truth, with reality.
Graham Ward
wiley   +1 more source

Judaism, Philo, and Hegel's Theology

Modern Theology, EarlyView.
Abstract Hegel displays consistent interest in Judaism, but his presentation seems to differ widely between his earlier and later writings. Contemporary scholarly interpretations of this apparent change also differ widely. In this article, I present the interpretive problem as one of continuity‐discontinuity, and place the major scholarly treatments ...
Reed Frey, C.O.
wiley   +1 more source

The Reverb of Divine Revelation: Theological Poetics in John of the Cross

Modern Theology, EarlyView.
Abstract This article examines the theological poetics of John of the Cross, investigating both the conditions under which contemplative experience gives rise to speech and the theological status of that speech within John's account of divine revelation.
Michael C. Costas
wiley   +1 more source

Gendered Harmony and Unsung Collections: Two Debussy Rabbit Holes

Music Analysis, EarlyView.
ABSTRACT This review article on Mark McFarland's The Musical Relationship between Claude Debussy and Igor Stravinsky (2024) offers a critical reading of this recent text and treats its content as a springboard for the exploration of two issues untapped in existing musicological discourse.
Rajan Lal
wiley   +1 more source

Chopin's Craft of Musical Form: Making Romantic Music with Classical Theme Types and Galant Schemata

Music Analysis, EarlyView.
ABSTRACT Frédéric Chopin adhered to traditional practices in musical form to a far greater extent than hitherto acknowledged. He took certain standard formal paths with remarkable consistency throughout his compositional career and across almost all his favoured genres.
Matthew Riley
wiley   +1 more source

Symphonic Gift: Wagner's Siegfried Idyll and the Hermeneutics of Sonata Form

Music Analysis, EarlyView.
ABSTRACT This article reimagines the place of programmatic interpretation within the New Formenlehre through the case study of Richard Wagner's Siegfried Idyll. To theorise the interaction between form and programme, I reconcile ‘separation’ and ‘conflation’ views – as represented by Julian Horton (2020) and Lawrence Kramer (2004a) – by deploying ...
RAFAEL ECHEVARRIA
wiley   +1 more source

Regulatory Rationales in the Face of Emerging Technologies: A Systematic Review

Regulation &Governance, EarlyView.
ABSTRACT Technology is evolving, and so is the discussion of regulation theory among academics. Taking a unique approach to legal research, this paper utilizes the systematic literature review methodology to uncover quantitative evidence on the current consensus among academics on regulation theory, in particular, regulatory rationales.
Tara Kerins Aylmer, Tom Hall
wiley   +1 more source

Titian's Falconer: From Zorzone to Girolamo Cornaro

Renaissance Studies, EarlyView.
ABSTRACT The identity of the sitter in Titian's Falconer and the issue of its dating have been subject to a false, yet very influential assumption: that The Falconer should be dated to a point as late as 1537 in order to connect it to the identity of Zorzone Cornaro (1517–1571), son of Girolamo (1485–1551).
Rachel Healy
wiley   +1 more source

Unmarked Emotional States and the Affective Anchoring of Continuity

Sociological Forum, EarlyView.
ABSTRACT Narratives around emotions often foreground remarkable episodes that interrupt situations, producing a “rollercoaster” image of emotional life that leaves its stability underdescribed. To analyze the emotional dimension of social continuity, this article theorizes unmarked emotional states (UES): culturally default, interactionally unobtrusive
Lorenzo Sabetta
wiley   +1 more source

Generative AI and the Future of Musical Diversity

Topics in Cognitive Science, EarlyView.
Abstract I argue that the current proliferation of generative artificial intelligence (AI) represents a new stage in a longer historical process of distancing humans from their unique individual psyches and of reducing participation and cultural diversity in music. The argument consists of six parts: (1) reiterating the uniqueness of individual psyches,
Dor Shilton
wiley   +1 more source