Results 11 to 20 of about 76,703 (266)

Death, Catastrophe, and the Significance of Tragedy

open access: yesNANO, 2014
This NANO note will examine the tension between representation, memorial, and the catastrophe of death that emerges in the space of tragedy, as the problem arises in two quite different works: Oedipus at Colonus, a fairly typical fifth-century Greek ...
Jennifer Ballengee
doaj   +1 more source

Sylvia Plath's Greek Tragedy

open access: yes, 2022
This chapter argues that Plath’s immersive study of ancient tragedians at the University of Cambridge, especially Aeschylus and Sophocles, has been understudied in relation to the iconic figure of Electra.
Ranger, H.
core   +1 more source

Wound and Travel – Sophocles’s 195 Philoctetes and Homer’s Odyssey in Inflammation du verbe vivre (Inflammation of the Verb To Live) by Wajdi Mouawad [PDF]

open access: yesAmfiteater, 2021
In her article, the author analyses an example of a text and its staging brought about by the sudden death of a member of the playwright’s creative team. In his solo performance Inflammation du verbe vivre (Inflammation of the Verb To Live), created at
Petra Pogorevc
doaj   +1 more source

Lealtad sin recompensa: Estudio comparativo de El Viting de Cándido María Trigueros, y Siroe, re di Persia de Pietro Metastasio

open access: yesCuadernos de Ilustración y Romanticismo, 2019
Siroe, re di Persia of Pietro Metastasio and El Viting de Cándido María Trigueros are the works that obviously have a similar plot. Although, they completely differ in the treatment of a figure who takes an important part of saving the life of the ...
Hiroki Tomita
doaj   +1 more source

Gary Owen’s Iphigenia in Splott: The Anthropocene as Tragedy [PDF]

open access: yes, 2023
Reprinted with permission from the author. Originally published in Critical Stages/ Scènes critiques (https://www.critical-stages.org Kerrigan, S. Gary Owen’s Iphigenia in Splott: The Anthropocene as Tragedy, 26. 2022.The fate of the tragic Greek figure
Kerrigan, Stef
core  

“‘I will open my lips in vain’ (3.1.192): l’échec rhétorique dans Measure for Measure”

open access: yesSillages Critiques, 2013
Unlike other plays like King John, Richard III or most of the comedies, in which language is often presented as a powerful instrument of persuasion, Measure for Measure is a play that stages a number of ’’rhetorical failures’’. Though Isabella is said to
Mickaël Popelard
doaj   +1 more source

Le ‘maestre’ di Adelaide Ristori: tracce di una trasmissione generazionale del mestiere

open access: yesDrammaturgia, 2023
This paper proposes a comparison between Adelaide Ristori and the actresses of the previous generation searching for traces of an unwritten transmission of the theatrical craft.
Giulia Bravi
doaj  

El médico de su honra de Calderón entre la ejemplaridad moral y la ejemplaridad estética

open access: yesCriticón, 2010
Whilst traditional critiques may have considered that El médico de su honra was a didactic work, the Calderón plays scholars tend nowadays to consider this work, and specially the violence of it´s dénouement, in function of aesthetical criteria.
Christophe Couderc
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Tragic prototypes and their evolution in classical Chinese works

open access: yesTrans/Form/Ação
Classical tragedy in China, as a unique literary form, embodies the nation’s cultural spirit and possesses profound historical heritages and distinctive aesthetic value.
Yunpeng Zhang
doaj   +1 more source

An American Tragedy: Memory and History in Eugene O'Neill's A Touch of the Poet and Mourning Becomes Electra

open access: yesMiranda: Revue Pluridisciplinaire du Monde Anglophone, 2010
No matter how personal Eugene O'Neill's writing usually is, his plays also tend to express a general tragic feeling. Mourning Becomes Electra and A Touch of the Poet encapsulate this tension between the private and the public spheres.
Aurélie Sanchez
doaj   +1 more source

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