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Transmedializing The Fantastic
This article deals with some methodological issues regarding the relationship between medium (more specifically the question of transmediality) and use (more specifically the issue of interactivity) in the field of the fantastic. More specifically, it discusses some fundamental hypotheses on the way the interactive dimension of transmedial adaptations ...
Baetens, Jan, Sánchez-Mesa, Domingo||
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2022
This chapter explores the category of transmedial reading, referring to reading experiences that go beyond a single text and are related to bigger fictional universes. Through an empirical reading case of a comic book, it argues that reading in transmedial environments is always multiple.
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This chapter explores the category of transmedial reading, referring to reading experiences that go beyond a single text and are related to bigger fictional universes. Through an empirical reading case of a comic book, it argues that reading in transmedial environments is always multiple.
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Translatability and Transmediality
Prism, 2023Abstract This article, introduction to the special issue, lays out the theoretical groundwork for reading Chinese poetry. Situating critical discussions of Chinese poetry within the larger discourse of world literature, the introduction examines key concepts and concerns running through the entire issue.
Yunte Huang, Hangping Xu
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Literaturverfilmung transmedial?
2022Literaturverfilmungen gehören seit langem zu den Standardsituationen des Deutschunterrichts. Häufig bleiben die Potentiale des Einsatzes von Verfilmungen aber ungenutzt. Dies ist vor allem der Fall, wenn die Verfilmung nur als Belohnung nach der Lektüre geschaut wird oder ihre Thematisierung im bloßen inhaltlichen Abgleich zur Vorlage verbleibt ...
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2023
Abstract Chapter 2 examines the life, career, and choreographies of Wu Xiaobang in Tokyo, Shanghai, and beyond in the 1930s and 1940s and his strategies to adapt the central European modern dance he learned in Japan into “China’s new dance.” The chapter leverages the conception of kinesthesia in modern dance, which refers to the ...
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Abstract Chapter 2 examines the life, career, and choreographies of Wu Xiaobang in Tokyo, Shanghai, and beyond in the 1930s and 1940s and his strategies to adapt the central European modern dance he learned in Japan into “China’s new dance.” The chapter leverages the conception of kinesthesia in modern dance, which refers to the ...
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2019
This collection offers a multi-faceted exploration of transmediations, the processes of transfer and transformation that occur when communicative acts in one medium are mediated again through anoth ...
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This collection offers a multi-faceted exploration of transmediations, the processes of transfer and transformation that occur when communicative acts in one medium are mediated again through anoth ...
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Arbeiten aus Anglistik und Amerikanistik, 2020
This article studies the transmedial process from the painting ‘Nighthawks’ (1942) by Edward Hopper (the source medium) to the poem “Nighthawks” (2000) by Anne Carson and to two art GIFs created using the painting as a source (the target media). GIF is a file format that allows movement and an art GIF is a GIF which, in different ways, relates to an ...
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This article studies the transmedial process from the painting ‘Nighthawks’ (1942) by Edward Hopper (the source medium) to the poem “Nighthawks” (2000) by Anne Carson and to two art GIFs created using the painting as a source (the target media). GIF is a file format that allows movement and an art GIF is a GIF which, in different ways, relates to an ...
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2014
In this chapter, I explore the fundamental media properties that make media transformation possible: the transmedial basis. The most elementary but profoundly essential transmedial basis consists of the four modalities of media (categories of related media characteristics): the material, the sensorial, the spatiotemporal, and the semiotic modalities. I
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In this chapter, I explore the fundamental media properties that make media transformation possible: the transmedial basis. The most elementary but profoundly essential transmedial basis consists of the four modalities of media (categories of related media characteristics): the material, the sensorial, the spatiotemporal, and the semiotic modalities. I
openaire +2 more sources