Results 141 to 150 of about 2,577 (187)
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2014
In this chapter, I explore the fundamental media properties that make media transformation possible: the transmedial basis. The most elementary but profoundly essential transmedial basis consists of the four modalities of media (categories of related media characteristics): the material, the sensorial, the spatiotemporal, and the semiotic modalities. I
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In this chapter, I explore the fundamental media properties that make media transformation possible: the transmedial basis. The most elementary but profoundly essential transmedial basis consists of the four modalities of media (categories of related media characteristics): the material, the sensorial, the spatiotemporal, and the semiotic modalities. I
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Arbeiten aus Anglistik und Amerikanistik, 2020
This article studies the transmedial process from the painting ‘Nighthawks’ (1942) by Edward Hopper (the source medium) to the poem “Nighthawks” (2000) by Anne Carson and to two art GIFs created using the painting as a source (the target media). GIF is a file format that allows movement and an art GIF is a GIF which, in different ways, relates to an ...
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This article studies the transmedial process from the painting ‘Nighthawks’ (1942) by Edward Hopper (the source medium) to the poem “Nighthawks” (2000) by Anne Carson and to two art GIFs created using the painting as a source (the target media). GIF is a file format that allows movement and an art GIF is a GIF which, in different ways, relates to an ...
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Transmedial interactions and digital games
Proceedings of the international conference on Advances in computer entertainment technology, 2007As virtual worlds and games grow in both personal and cultural importance, present limitations in access to them is increasingly limiting their ability to achieve their potential. Transmedial access, in which a given player's access to a game is made possible across different devices, offers a promising solution to this problem.
Shaowen Bardzell +3 more
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Furthermore, in their dual role as cultural producer and archivist, these authors envision literature as a means to store and transmit their visions of social transformation and queer collectivity into the future. Their texts are best understood as dynamic media assemblages, or queer archives, capable of reinventing themselves into new models of ...
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Prosumption, Transmediation, and Resistance
American Behavioral Scientist, 2012Terrorism is a mounting global threat for national security, yet the rise of social media facilitates prosumption and the spread of alternative grassroots stories in response to civic militarization and state propaganda. This article discusses the structural and cultural conditions underlying the production and spread of online user-generated content ...
Pauline Hope Cheong, Chris Lundry
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2015
Seit den 1930er Jahren durchstreift Superman die Populärkultur als serielle Inkarnation des (post-)modernen Helden. Dabei hat der Man of Steel nahezu jedes Medium durchlaufen und mit den Jahren globale Verbreitung erlangt. Vor dem Hintergrund kulturwissenschaftlicher Diskurse lenkt Stefan Meier den Blick auf einen bislang kaum beachteten Aspekt der ...
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Seit den 1930er Jahren durchstreift Superman die Populärkultur als serielle Inkarnation des (post-)modernen Helden. Dabei hat der Man of Steel nahezu jedes Medium durchlaufen und mit den Jahren globale Verbreitung erlangt. Vor dem Hintergrund kulturwissenschaftlicher Diskurse lenkt Stefan Meier den Blick auf einen bislang kaum beachteten Aspekt der ...
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2012
Durch die intensive Beschäftigung mit unzuverlässigem und komplexem Erzählen haben narratologische Konzepte in den vergangenen Jahren in der Film- und Fernsehwissenschaft an Popularität gewonnen. Nadine Dablé widmet sich einem bisher blind gebliebenen Fleck dieser audiovisuellen Narratologie: den Leerstellen.
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Durch die intensive Beschäftigung mit unzuverlässigem und komplexem Erzählen haben narratologische Konzepte in den vergangenen Jahren in der Film- und Fernsehwissenschaft an Popularität gewonnen. Nadine Dablé widmet sich einem bisher blind gebliebenen Fleck dieser audiovisuellen Narratologie: den Leerstellen.
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Convergence: The International Journal of Research into New Media Technologies, 2013
We are spending more and more of our lives online. Meanwhile, the combination of constant connectivity and ubiquitous computing is folding the material world itself into an expansive ‘Internet of things’. As a result the line between life online and life off-line has become blurred in an existential equivalence of the digital and the analog.
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We are spending more and more of our lives online. Meanwhile, the combination of constant connectivity and ubiquitous computing is folding the material world itself into an expansive ‘Internet of things’. As a result the line between life online and life off-line has become blurred in an existential equivalence of the digital and the analog.
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Transmediality in Independent Journalism
2020Transmediality in Independent Journalism investigates mainstream journalism and its escape routes to independence through transmedia strategies. Within the scope of the latest debates in Turkey, the author argues that the function of transmediality in Turkish journalism is gradually shifting from being only a commercial entity to becoming a political ...
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Fidelity and Innovation: Adaptation, Transmediality, and the Neverwhere Megatext
Palgrave science fiction and fantasy, 2022Jeffrey Andrew Weinstock
exaly