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The Ghost and the Rock: Albert Renger‐Patzsch and the Shape of Time
Art History, Volume 46, Issue 1, Page 124-153, February 2023., 2023 The career of photographer Albert Renger‐Patzsch began in the early 1920s in the storerooms of Germany's ethnographic museums, and ended in 1966 with the publication of his last photobook, Gestein (Rock). His reputation as a leading exponent of Neue Sachlichkeit (New Objectivity) developed in tandem with heated debates over sculptural facsimiles and ...
Megan R. Luke
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Identity in Diversity: Programmatic Pictures of the Enlightenment
Journal for Eighteenth-Century Studies, Volume 45, Issue 1, Page 43-62, March 2022., 2022 Abstract Inquiries into the realm of Enlightenment identities usually depart from the texts of this period. Yet pictures created by contemporary artists are equally crucial and largely overlooked sources that have the potential to condense such identities.
Daniel Fulda
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Temps et espace de l’interactivité, vers une définition de la transmédialité
Revue Française des Sciences de l’Information et de la Communication, 2017 What are the interactive bases of transmediality? How does transmediality extend or overtake multimedia interactivity forms? Is transmedia coextensivity the catalyst of a dialogical interactivity, where space and time combine in a specific experience ...
Bruno Cailler, Céline Masoni Lacroix
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‘BIG DATA’ AND ALEXANDER VON HUMBOLDT'S APPROACH TO SCIENCE
German Life and Letters, Volume 74, Issue 3, Page 394-415, July 2021., 2021 ABSTRACT This article departs from the hypothesis that Alexander von Humboldt used ‘Big Data’ in order to bring new scientific evidence into the open. His method of measuring and combining temperature, humidity, altitude and magnetism in a geographical environment must be regarded as innovative, indeed, as the foundation of modern science.
Daniel Grana‐Behrens
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Transmediality and cultural semiotics [PDF]
, 2015 In May 2015 I was invited at the University of Tartu by professor Peeter Torop and the Department of Semiotics. I was asked to discuss the thesis by Maarja Ojamaa with the title “The transmedial aspect of cultural autocommunication” for the Degree of ...
DUSI, Nicola Maria
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Bulletin of Latin American Research, Volume 40, Issue 2, Page 267-284, April 2021., 2021 The article analyses the material strategies of dissent through two transtextual bookworks, Cecilia Vicuña's Sabor a mi (Vicuña, 1973) and Felipe Ehrenberg's Pussywillow (1973) produced at the Beau Geste Press radical collective. Contesting Pinochet's coup in Chile, they resorted to visibly undisciplined responses to ‘the New Disorder now in power ...
Erica Segre
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Between, 2018 In the light of the vast debate on relations between media and on today's convergence culture, the present contribution focuses on the concepts of inter- and transmediality, with particular attention to the field of 'transmedial narratology'. The aim is,
Irina Rajewsky
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Un mondo che si espande oltre la nostra presa. Comparatistica e intermedialità
Comparatismi, 2020 Compiutosi il declino irreversibile del metalinguaggio postmoderno, la nozione di intertestualità è stata sussunta in una nozione più ampia capace di integrarne il senso e di estenderne la presa ai fenomeni testuali tipici del presente, prodotti dall ...
Fabio Vittorini
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Variété transmédiatique du mythe faustien : entre fidélité et création
Altralang Journal, 2023 : Claude Autant-Lara directed the film Marguerite de la nuit, released in 1955, a transposition of Pierre Mac Orlan's work of the same name, published in 1925.
Fatima SEDDAOUI
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Layering engagement: the temporal dynamics of transmedia television [PDF]
, 2015 The last fifteen years have seen dramatic changes in the UK within both the television industry and televisual storytelling techniques. Rapid technological changes have not only increased the variety of screen devices, they have also changed the ...
Evans, Elizabeth
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