Results 41 to 50 of about 201 (98)

Telecological Collapse: The Inevitability of Climate Breakdown in the Transmedial Podcast Drama Forest 404

Future Humanities, Volume 4, Issue 1, May 2026.
ABSTRACT This paper presents a close‐hearing analysis of Forest 404, a transmedial audio drama that was released to BBC Sounds in 2019. Despite the drama's eco‐dystopian critique of teleological ‘progress’ narratives (that enable and perpetuate the destruction of the natural world), I argue that the series ultimately propagates a sense of inevitability
Matilda Jones
wiley   +1 more source

The Trajectory of an Agreement: Tracing Objectivated Knowledge Across a Series of Mundane Encounters

Symbolic Interaction, Volume 49, Issue 2, Page 223-252, May 2026.
This article adds to the sociological study of time and temporality in everyday life by building on recent longitudinal developments within conversation analysis. It investigates members' methods to bring about change within their shared (life) world. It examines how, as part of an extended project of action, one agreement made early on is continually ...
Sarah Hitzler, Jonas Kramer
wiley   +1 more source

Epic of Normality and Media Nostalgia in Hanno ucciso l'uomo ragno (2024-): Forms of Audiovisual, Transmedia and Serial Visibility of the Italian Pop Music Biopic

Cinergie
Within the renaissance of the pop music biopic, a phenomenon that has been manifesting itself in Italy for over a decade, the recent highlight has been Hanno ucciso l'uomo ragno (S.
Luca Bertoloni
doaj   +1 more source

So, what do we talk about when we talk about transmedia storytelling in education? A systematic literature review

Review of Education, Volume 13, Issue 2, August 2025.
Abstract Transmedia storytelling is an increasingly used didactic approach to develop digital and transmedia competences in education. However, how the concept of transmedia storytelling is used beyond its foundational definition—which underpins educational practices—remains underexplored.
Rafel Meyerhofer‐Parra, Juan González‐Martínez   +1 more
wiley   +1 more source

Intermedial Negative: The Role of Punk Cinema in the Downtown Scene (New York, 1976-1984)

Interfaces, 2022
No Wave cinema of the 1970s is caught in several intermedial mechanisms as one realization of the transmedial punk movement. No Wave is anti-everything and refuses many rules just like punk rock does. No Wave films are interested in No Wave music and use
Céline Murillo
doaj   +1 more source

Climate Fiction as Future‐Making: Narrative and Cultural Modelling Beyond Representation

Future Humanities, Volume 3, Issue 1, May 2025.
ABSTRACT Climate fiction (cli‐fi) increasingly attracts the attention of wider publics and expert science communities. And yet, critiques of its limits and the limits of its efficiency as a tool of persuading broader readerships are also becoming more frequent.
Roman Bartosch, Julia Hoydis
wiley   +1 more source

Blacksad: Under the Skin. Transmedia and Ludification as Cultural Experience

Revista de Comunicación, 2021
Media convergence and transmediality have led fictional worlds originally developed in graphic novels to be expanded in more recent media such as video games, where environments and characters become playable and where storytelling elements intertwine ...
Marta Fernández Ruiz, David García-Reyes   +1 more
doaj   +1 more source

Novice interpreters, transmedia fictions and the afferent stance

Literacy, Volume 59, Issue 2, Page 177-184, May 2025.
Abstract Louise Rosenblatt's well‐known concept of stance distinguishes between efferent reading (reading to take something away from the text) and aesthetic reading (reading for the experience of dwelling in the text). This article proposes a refinement to this binary, adding the concept of afferent reading. Afference, in biology, means a bringing‐to,
Margaret Mackey
wiley   +1 more source

Tracking Trends and Brands in the International Children's Book Market

The Journal of Transcultural Studies, 2012
Books are embedded in the culture and language of their origins. Some works may have achieved classic status within their own cultural realm, and yet, even if they have the good fortune to be successfully promoted abroad, they do not necessarily manage ...
Petra Thiel
doaj   +1 more source

Poet as poem: The intermedial staging of A. E. Housman in Tom Stoppard's The Invention of Love

Orbis Litterarum, Volume 79, Issue 4, Page 336-349, August 2024.
Abstract Tom Stoppard's The Invention of Love (1997) offers the audience a dream‐like voyage through the post‐mortem reminiscences of the central character, A. E. Housman. The attempt to resurrect Housman, as the historical figure in real life, is suspended by the intertextual incorporation of Housman's poems, the both fictive and enigmatically private
Huayu Yang, Bowen Wang
wiley   +1 more source