Results 1 to 10 of about 247 (147)
Transmediality in Symbolist and Surrealist Photo-Literature
The fin de siècle period throughout Europe undoubtedly cultivated the “interdisciplinary principle of la fraternité des arts” (Genova 158). Literature, poetry, visual art and music superseded former hierarchical structures favouring the painterly ...
Lauren Walden
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Description and Performance as Essential Modalities of Representations in Memoir Narratives (Exemplified by Alta Vášová´s Writings) [PDF]
The subject of the paper is to observe a coincidence between description and performance in autobiographic narratives. As an example, this phenomenon is traced in autobiographic writings by the Slovak prose writer Alta Vášová (1939), produced between the
Zora Prušková
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Adapted into multiple media: what happens when adaptations meet transmedial franchises
Despite being two of the most popular medial phenomena in contemporary culture, few studies have been devoted to understanding what happens when adaptations meet transmedial franchises. In this study, I propose an examination of two cases in which one or
Camila Augusta Pires de Figueiredo
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This chapter explores transmediation between qualified media types. It discusses the adaptation of a literary canonical work, Joe Wright’s 2005 novel-to-film adaptation of Jane Austen’s novel Pride and Prejudice a novel that repeatedly has been adapted into new contexts and audiences.
Jørgen Bruhn +3 more
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This collectively authored position paper discusses “hybrid” Shakespeares in Central and Eastern Europe, focusing on productions that offer formal experimentation and transnational perspectives.
Anna Cetera-Włodarczyk +4 more
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The World of The Walking Dead – Transmediality and Transmedial Intermediality [PDF]
Abstract As transmedia franchises increasingly populate our cultural environment, many questions arise about the effect of the different media involved in the depiction of storyworlds. Through the analysis of different examples, with special emphasis on the particular case of The Walking Dead, and drawing primarily from Henry Jenkins’s ...
Beil Benjamin, Schmidt Hanns Christian
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Fact and Fiction in ‘noir’. Metanarrative Strategies in Carlo Lucarelli's Crime Fictions
The aim of this paper is to investigate the literary and televisual production of Carlo Lucarelli, highlighting in particular how his works interweave actual and fictional events at different levels. On one side, we will analyse the way through which the
Silvia Baroni, Sara Casoli
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“Moments of Blackness Between Cinematic Frames”: Movie Code in Ralph Ellison’s Juneteenth [PDF]
The paper sets out to explore various modes, in which cinematic code operates in the novel Juneteenth authored by the renowned (African) American writer Ralph Ellison and published posthumously in 1999.
Natalia A. Vysotska
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Temps et espace de l’interactivité, vers une définition de la transmédialité
What are the interactive bases of transmediality? How does transmediality extend or overtake multimedia interactivity forms? Is transmedia coextensivity the catalyst of a dialogical interactivity, where space and time combine in a specific experience ...
Bruno Cailler, Céline Masoni Lacroix
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"Gulliver’s Travels" e il conservatorismo sovversivo delle stampe satiriche ottocentesche
The visual quality of Jonathan Swift’s Gulliver’s Travels, together with its popular and folkloric ingredients, has greatly contributed to the novel’s immediate transmedial reception and was central to its success during the so-called “golden age” of ...
Ilaria Natali
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