Results 51 to 60 of about 204 (114)
All the Park’s a Stage: Westworld as the Metafictional Frankenstein
This essay presents a literary analysis of the TV series Westworld (2016‒), created by Jonathan Nolan and Lisa Joy, who take Michael Crichton’s Westworld (1973) as its hypotext.
Miguel Sebastián Martín
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This study investigates the positioning of comedians in streamed stand-up comedy specials (SSCSs). In an analysis of ten 2023 Netflix SSCSs, this research explores the multimodal meaning making in introductory sequences as well as the humorous and ...
Thomas Messerli
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Barlumi di (di)speranza nella poesia di Fabio Pusterla
This paper examines the theme of hope in the poetry of Fabio Pusterla, in light of the poet’s recent return to this central motif. Drawing on the echoes of Heaney and Havel, the analysis focuses on a selection of texts in which the term “hope” appears ...
Paulina Malicka
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A Transtextual View on the “Underworld Vision of an Assyrian Prince”
Peer ...
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Il était… encore une fois : en fin de conte, la fanfiction
This article explores, in a broad comparative perspective, a little-examined aspect of the creative reception of fairy tales: the rewritings of their endings in international fanfiction.
Martina Stemberger
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From the titles of the novels alone, readers of The Old Man and the Sea and The Old Man Who Read Love Stories can easily consider that the protagonists share a likely advanced age.
Lucie Valverde
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ENTRE-TEXTOS: LA DIMENSIÓN DIALÓGICA E INTERCULTURAL DEL DISCURSO POÉTICO MAPUCHE
Este trabajo aborda en el actual discurso poético mapuche cómo éste representa la perspectiva dialógica del cruce cultural a través del procedimiento transtextual, estableciéndose que este discurso, al poner en relación cánones discursivos y elementos ...
Mabel García Barrera
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The Role of Intertextuality in Neil Gaiman’s American Gods [PDF]
The American cultural identity and the essence of modern America are concepts difficult to describe and define. Neil Gaiman, a highly acclaimed British writer, tried to capture, in his award-winning novel, American Gods, the “real” America, and its ...
Irina RAȚĂ
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Thresholds to Infinity: Towards a Typology of Haunted House Narratives
Stories of houses that are somehow wrong have a long history across languages, cultures, and time. Broadly speaking, a haunted house requires two primary characteristics: a distinct atmosphere of unease and a historical context.
Helen Roostma
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The practice of songscoring: typology and transtextuality
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