Results 91 to 100 of about 26,475 (234)

The choreography of longing: songs, screens and space in Carlos Saura’s 'Fados' [PDF]

, 2014
Carlos Saura’s 2007 film Fados follows the director’s earlier works Flamenco (1995) and Tango (1998) by showing musicians performing a vernacular music genre while accompanied by dancers.
Elliott, Richard
core   +1 more source

A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature [PDF]

, 2015
Although it seemed in the mid-1970s that the study of the troubadours and of Occitan literature had reached a sort of zenith, it has since become apparent that this moment was merely a plateau from which an intensive renewal was being launched.
Taylor, Robert A.
core   +1 more source

Exile and Rhetorical Order in the Vita nova [PDF]

, 2012
This article identifies the Augustinian motive of peregrinatio (pilgrimage/exile) as fundamental to the Vita nova, both thematically and at the level of narrative structure.
Laurence Hooper
core   +1 more source

Una o trina? Le epistole di Raimbaut de Vaqueiras al marchese Bonifacio [PDF]

Lecturae Tropatorum, 2017
This article intends to reopen the debate about the structure of Raimbaut de Vaqueiras’ epistles to Marques Boniface I, in order to establish whether they are actually three autonomous texts concerning the poet’s friendship with his patron, composed at ...
Giuseppe Tavani
doaj  

Anonimo (già attribuito a Bertran de Born), "Si tuch li dol e·l plor e·l marriment" (BdT 80.41) [PDF]

Lecturae Tropatorum, 2018
The anonymous Si tuch li dol e·l plor e·l marriment (BdT 80.41) is a planh which stands out for its intensity and for its refined rhetorical construction among the 45 surviving examples of this particular lyric genre dating back to the 13th century; the ...
Roberta Manetti
doaj  

Paolo Lanfranchi di Pistoia, "Valenz senher, rei dels Aragones" (BdT 317.1) [PDF]

Lecturae Tropatorum, 2017
This article presents a new edition, complete with commentary, of the Provençal cobla by Paolo Lanfranchi da Pistoia. The poem is only attested in the esparsas section contained in songbook P (ff. 55-66); it is a «Sirv.[entes] in Form eines Sonetts» (BdT,
Giuseppe Noto
doaj  

“Tuttor ch’eo dirò ‘gioi’”. The “joy” Appellative of the Lady in Medieval Romanesque Lyric (with some remarks on the poetic pseudonyms of troubadours)

, 2022
Fédérico Saviotti
openalex   +1 more source

Guilhem Olivier d’Arles, "Sert es qui a mal vezi" (BdT 246.14); Id., "Escrig truep ieu en Salomo" (BdT 246.22) [PDF]

Lecturae Tropatorum, 2017
In his coblas Sert es qui a mal vezi (BdT 246.14) and Escrig truep ieu en Salomo (BdT 246.22) Guilhem de l'Olivier d'Arles translates the traditional poetry of the troubadours into the new ideology of urban chivalry that was governing the municipalities ...
Gerardo Larghi
doaj  

Convergenze di tradizioni: per un’analisi della fonte orientale nel canzoniere C

Carte Romanze, 2014
Nel saggio descrivo le tracce di materiale proveniente dalla tradizione orientale nel canzoniere provenzale C, attraverso un’analisi delle serie e della varia lectio, prima nella sezione di Giraut de Borneil, e poi in quelle di altri autori.
Riccardo Viel
doaj   +1 more source

Weird AI Yankovic: Generating Parody Lyrics [PDF]

arXiv, 2020
Lyrics parody swaps one set of words that accompany a melody with a new set of words, preserving the number of syllables per line and the rhyme scheme. Lyrics parody generation is a challenge for controllable text generation. We show how a specialized sampling procedure, combined with backward text generation with XLNet can produce parody lyrics that ...
arxiv